Showing posts with label entrepreneur. Show all posts
Showing posts with label entrepreneur. Show all posts

Thursday, November 8, 2012

Kenny Rogers~ "A Soldier's King"


Uploaded on Dec 3, 2011
Kenny Rogers~ "The Gift"

A Soldier's King

Kenneth Donald "Kenny" Rogers[1] (born August 21, 1938) is an American singer-songwriter, photographer, record producer, actor, entrepreneur and author.

Though he has been most successful with country audiences, he has charted more than 120 hit singles across various music genres and topping the country and pop album charts for more than 200 individual weeks in the United States alone.

Two of his albums, The Gambler and Kenny, are featured in the About.com poll of "The 200 Most Influential Country Albums Ever".[2]

He was voted the "Favorite Singer of All-Time" in a 1986 joint poll by readers of both USA Today and People.[3]

 He has received numerous such awards as the AMAs, Grammys, ACMs and CMAs, as well as a lifetime achievement award for a career spanning six decades in 2003.[4]

Later success includes the 2006 album release, Water & Bridges, an across the board hit, that peaked at No. 5 in the Billboard Country Albums sales charts, also charting high in the Billboard 200.

The first single from the album, "I Can't Unlove You," was also a chart hit. Remaining a popular entertainer around the world, the following year he completed a tour of the United Kingdom and Ireland, telling BBC Radio 2 DJ Steve Wright his favorite hit was "The Gambler".

He has also acted in a variety of movies and television shows, most notably the title roles in Kenny Rogers as The Gambler and the MacShayne series as well as his appearance on The Muppet Show.[5][6]



Kenny Rogers

Kenny Rogers, concert, Chumash Casino Resort hall, Santa Ynez, California, September 27, 2006.
Background information
Birth name Kenneth Ray Rogers[1]
Born August 21, 1938 (age 74)
Origin Houston, Texas, U.S.
Genres Country, pop, rock (with The First Edition), jazz (with The Bobby Doyle Trio)
Occupations Singer-songwriter, actor, record producer, entrepreneur, author
Instruments Vocals, guitar, bass guitar, harmonica, fiddle
Years active 1958–present
Labels Cue, Carlton, Mercury, United Artists, RCA, Giant/Reprise Records, Atlantic, Curb, Dreamcatcher, Capitol Nashville, WEA
Associated acts The Scholars, The Bobby Doyle Trio, The New Christy Minstrels, The First Edition, Glen Campbell, Dolly Parton, Reba McEntire, Dottie West, Juice Newton, Sheena Easton, The Bee Gees, Barry Gibb, Kim Carnes, Ronnie Milsap, James Ingram, David Foster, Lionel Richie, Whitney Duncan, Don Henley, USA for Africa, Live Aid,
Website www.kennyrogers.com

Personal life

Kenneth Ray Rogers was born in Houston, Texas, in 1938, the fourth of eight[7] children born to Lucille (née Hester; d. 1991), a nurse's assistant[8], and Edward Floyd Rogers (d. 1975), a carpenter.[9]

Rogers graduated from Jefferson Davis High School in Houston.


Career

Early career

His career began in the mid 1950s when he recorded with a rockabilly group called The Scholars, who had some success with a single called "Poor Little Doggie."

Rogers was not the lead singer of the group and after two more singles they disbanded when their leader went solo.

Now on his own, Kenneth Rogers (as he was billed then) followed the breakup with his own single, a minor solo hit called "That Crazy Feeling" (1958).

After sales slowed down, Rogers joined a jazz group called The Bobby Doyle Trio, who got a lot of work in clubs thanks to a reasonable fan following and also recorded for Columbia Records.

 The group disbanded in 1965, and a 1966 jazzy rock single Rogers recorded for Mercury Records, called "Here's That Rainy Day" failed.

Rogers also worked as a producer, writer and session musician for other performers; including country artists Mickey Gilley and Eddy Arnold.

In 1966 he joined The New Christy Minstrels as a singer and double bass player.

Feeling that the Minstrels were not offering the success they wanted, Rogers and fellow members Mike Settle, Terry Williams, and Thelma Camacho left the group.

They formed The First Edition in 1967 (later renamed "Kenny Rogers and The First Edition").

 They chalked up a string of hits on both the pop and country charts, including "Just Dropped In (To See What Condition My Condition Was In)", "But You Know I Love You", "Ruby, Don't Take Your Love to Town", "Reuben James", and "Something's Burning".

In his First Edition days, Rogers had something of a hippie image, sporting long brown hair, an earring, and pink sunglasses.

When the group split in 1976, Rogers launched his solo career.

Rogers soon developed a more middle of the road sound, with a somewhat rough but tuneful voiced style that sold to both pop and country audiences; to date, he has charted more than 60 top 40 hit singles (including upwards of 25 No. 1's) and 50 of his albums have charted.

His music has also been featured in top selling movie soundtracks, such as Convoy, Urban Cowboy and The Big Lebowski.[10][11]

Solo career

 


Rogers in 1981.


After leaving The First Edition in 1976, after almost a decade with the group, Rogers signed a solo deal with United Artists.

Producer Larry Butler and Rogers began a partnership that would last four years.[12]

Rogers first outing for his new label was Love Lifted Me.

The album charted and two singles "Love Lifted Me" and "While the Feeling's Good" were minor hits. The song "Runaway Girl" was featured in the motion picture Trackdown.

Later in 1976, Rogers issued his second album, the self-titled Kenny Rogers, whose first single "Laura (What's He Got That I Ain't Got)", was another solo hit.

The single "Lucille" (1977) was a major hit, reaching number one on the pop charts in 12 countries, selling over five million copies, and firmly establishing Rogers' post-First Edition career.

On the strength of "Lucille", the album Kenny Rogers reached No. 1 in the Billboard Country Album Chart.

More success was to follow, including the multi-million selling album The Gambler and another international Number 1 single, "Coward of the County", taken from the equally successful album, Kenny.

In 1980, the Rogers/Butler partnership came to an end, though they would occasionally reunite: in 1987 on the album I Prefer the Moonlight and again in 1993 on the album If Only My Heart Had a Voice.

In the late 1970s, Rogers teamed up with close friend and Country Music legend Dottie West for a series of albums and duets.

Together the duo won 2 gold records (1 of which later went platinum), 2 CMA Awards, an ACM nomination, two Grammy nominations and 1 Music City News Award for their two hit albums "Every Time Two Fools Collide" (#1) and "Classics" (#3), selling out stadiums and arenas while on tour for several years, as well as appearing on several network television specials which showcased them.

 Their hits together "Every Time Two Fools Collide" (#1), "Anyone Who Isn't Me Tonight" (#2), "What Are We Doin' in Love" (#1), "All I Ever Need Is You" (#1) and "Till I Can Make It On My Own" (#3) all became Country standards.

Of West, Rogers stated in a 1995 TNN interview "She, more than anybody else I ever worked with, sang with such emotion that you actually believed what she sang.

A lot of people sing words, Dottie West sang emotions."

 In a 1978 press release for their album "Every Time Two Fools Collide", Rogers credited West with further establishing and cementing his career with Country Music audiences.

In the same release, West credited him with taking her career to new audiences.

Rogers was with West only hours before she died at age 58 after sustaining injuries in a 1991 car accident, as discussed in his 2012 biography "Luck Or Something Like It".

In 1995 he starred opposite Michele Lee as himself in the CBS biopic Big Dreams and Broken Hearts: The Dottie West Story.

In 1980, his duet with Kim Carnes "Don't Fall in Love with a Dreamer" became a major hit.

Later in 1980 came his partnership with Lionel Richie who wrote and produced Rogers' No. 1 hit "Lady".

Richie went on to produce Rogers' 1981 album Share Your Love, a chart topper and commercial favorite featuring hits such as "I Don't Need You" (Pop No. 3), "Through the Years" (Pop No. 13), and "Share Your Love with Me" (Pop No. 14).

His first Christmas album was also released that same year. In 1982, Rogers released the album Love Will Turn You Around.

The Love Will Turn You Around (song) reached No. 13 on the Billboard Hot 100 and topped the country and AC charts. due to its exposure as the theme song of Rogers' 1982 film Six Pack.

Shortly after he started working with producer David Foster in 1983 recording the smash Bob Seger cover "We've Got Tonight", a duet with Sheena Easton.

He went on to work with the Bee Gees to record and produce his 1983 hit album Eyes That See in the Dark, featuring the title track and yet another No. 1 hit "Islands in the Stream", a duet with Dolly Parton.

The Gibbs originally wrote the song for Marvin Gaye in an R&B style, only later to change it for the Kenny Rogers album.[13]

The partnership with Bee Gees only lasted one album, which was not a surprise considering that Rogers' original intentions were to work with Barry Gibb in only one song but Barry insisted on them doing the entire album.

"Islands in the Stream", Rogers' duet with Dolly Parton, was the first single to be released from Eyes That See in the Dark in the United States, and it quickly went to No. 1 in the Billboard Hot 100 (it would prove to be the last country single to reach No. 1 on that chart until "Amazed" by Lonestar did so in 2000), as well as topping Billboard's country and adult contemporary singles charts; it was certified Platinum by the Recording Industry Association of America for shipping two million copies in the United States.

Rogers would reunite with Parton in 1984 for a holiday album and TV special, Once Upon a Christmas, as well as a 1985 duet "Real Love", which also topped the U.S. country singles chart.[citation needed]

Despite the "Islands in the Stream"s success, however, RCA insisted on releasing Eyes' title track as the first UK single, and the song stalled at a disappointing No. 61 there, although it did stay in the top 100 for several weeks (when it was eventually released in the United States, it was more successful, charting high on the Adult Contemporary chart and making the country top 30).

 "Islands in the Stream" was issued as a followup single in Britain and sold well, making No. 7. The album itself reached No. 1 on the country charts on both sides of the Atlantic and enjoyed multi-million sales.

"Buried Treasure," "This Woman" and "Evening Star"/"Midsummer Nights" were also all successful singles from the album.

Shortly after came the album What About Me?, a hit whose title track, a trio performance with James Ingram and Kim Carnes, was nominated for a Grammy award; the single "Crazy" (not to be confused with the Willie Nelson-penned Patsy Cline hit) topped the country charts. David Foster was to work again with Rogers in his 1985 album The Heart of the Matter, although this time Foster was playing backing music rather than producing, a role given to George Martin. This album was another success, going to No. 1, with the title track making to the top ten category in the singles charts.

The next few years saw Rogers scoring several top country hits on a regular basis, including "Twenty Years Ago," "Morning Desire," "Tomb of the Unknown Love", among others. On January 28, 1985 Rogers was one of the 45 artists who recorded the worldwide charity song "We Are the World" to support hunger victims in Africa.

The following year he played at Giants Stadium.[citation needed]
In January 1987, Rogers co-hosted the American Music Awards at the Shrine Auditorium in Los Angeles. In 1988 Rogers won a grammy "Best Country Collaboration with Vocals" with Ronnie Milsap — "Make No Mistake, She's Mine". In the 1990s Rogers continued to chart with singles such as "Crazy In Love", "If You Want To Find Love" and "The Greatest".

His second Christmas album entitled "Christmas in America" was released in 1989 for Reprise Records. From 1991-94, Rogers hosted The Real West on A&E, and on The History Channel since 1995 (Reruns only on The History Channel). He visited Miller's during this time period. From 1992-95, Rogers co-owned and headlined Branson, Missouri's 4,000 seat Grand Palace Theatre. In 1994, Rogers released his "dream" album titled Timepiece on Atlantic Records. It consisted of 1930s/40s jazz standards; it was the type of music he performed in his early days with The Bobby Doyle Three in Houston.[citation needed]

In 1996 he released an album Vote For Love where the public requested their favorite love songs and Rogers performed the songs (several of his own hits were in there).

The album was the first for the TV shopping channel QVC's record label, onQ Music. The album, sold exclusively by QVC, was a huge success and was later issued in stores under a variety of different titles.

It reached No. 1 in the UK country charts under the title Love Songs (a title also used for various compilations) and also crossed over into the mainstream charts.

In 1999 Rogers scored with the single "The Greatest", a song about life from a child's point of view (looked at through a baseball game).

The song reached the top 40 of Billboard's Country singles chart and was a Country Music Television Number One video.

It was on Rogers' album She Rides Wild Horses the following year (itself a top 10 success).

In 1999, Rogers also produced a song, "We've Got It All", specifically for the series finale of the ABC show Home Improvement.

Not on any album, the recording sells for a high sum at auction.[citation needed]

Source: Wikipedia.org




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Thursday, November 1, 2012

Solomon Burke~ "No Man Walk's Alone"



Solomon Burke~ "No Man Walk's Alone"

Solomon Burke (March 21, 1940 – October 10, 2010) was an American singer-songwriter, entrepreneur, mortician, and an archbishop of the United House of Prayer For All People.[2]

Burke was known as "King Solomon," the "King of Rock 'n' Soul," and as the "Bishop of Soul,"[3] and described as "the Muhammad Ali of soul,"[1] and as "the most unfairly overlooked singer of soul's golden age."[4]

Burke was "the founding father of what was defined as soul music in America in the 1960s,"[5] and "a major architect of 1960s soul, infusing post-World War II R&B with [his] gospel roots."[6]

And "a key transitional figure bridging R&B and soul,"[7][8][9] Burke's "sound was a bold merger of orchestrated sophistication and countryish, down-home grit, and his best singles built a Gothic sense of drama and heartbreak.

These tracks bridged the gap between the more mannered mainstream rhythm and blues of the Jerry Leiber and Mike Stoller songwriting team of the 1950s, as exemplified by the Coasters and Drifters, and the gruffer Southern styles of the later '60s, as heard on the Stax Records sides of Otis Redding and Sam & Dave.[10]

At one time considered by Jerry Wexler to be "the greatest male soul singer of all time,"[1][11][12][13]

 Burke was "a singer whose smooth, powerful articulation and mingling of sacred and profane themes helped define soul music in the early 1960s."[14]

Burke drew from his roots: gospel, soul, and blues, as well as developing his own style at a time when R&B, and rock were both still in their infancy.[15]

Artistically, Burke was influenced by the music of the church, as well as by Little Richard.[16]

Described as both "Rabelaisian"[17] and also as a "spiritual enigma,"[18] "Perhaps more than any other artist, the ample figure of Solomon Burke symbolized the ways that spirituality and commerce, ecstasy and entertainment, sex and salvation, individualism and brotherhood, could blend in the world of 1960s soul music."[19]


During the 55 years that he performed professionally, Burke released 38 studio albums on more than 17 record labels and had 35 songs that charted, including 26 songs that made the Billboard R&B charts, including "Got to Get You Off My Mind" that was #1 in the summer of the 1965, and an additional 9 songs that were only listed on the Billboard Hot 100 chart, including 1964's seminal “Everybody Needs Somebody to Love”.[20]

Burke had over 30 songs make the Cash Box R&B charts, with "Got to Get You Off My Mind" reaching #1, and 23 that charted on their pop chart hits, with seven making Cash Box's Top 40.[21]

In 2001, Burke was inducted into the Rock and Roll Hall of Fame as a performer. His album Don't Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003.

By 2005 Burke was credited with selling 17 million albums.[15][22][23]

 Rolling Stone ranked Burke as #89 on its 2008 list of "100 Greatest Singers of All Time."[24]
On February 13, 2011, in his first live appearance at the Grammy Awards, Mick Jagger, who had been influenced by Burke, paid tribute to Burke in the Grammy Awards "In Memoriam' segment[25] by singing "Everybody Needs Somebody to Love," backed by Raphael Saadiq and his band.[26]


Solomon Burke

Solomon Burke, April 19, 2008
Background information
Birth name Solomon Vincent McDonald Burke
Also known as "The King of Rock 'N Soul"
"The Bishop of Soul"
"King Solomon"
"The Wonder Boy preacher"
"Lord Solomon"
Born March 21, 1940[1]
West Philadelphia, Pennsylvania, U.S.
Died October 10, 2010 (aged 70)
Haarlemmermeer, Netherlands
Genres Blues, gospel, rhythm and blues, soul, rock and roll
Occupations Preacher, singer
Instruments Vocals
Years active 1955–2010
Labels Apollo Records
Atlantic Records
Bell Records
MGM Records
ABC Dunhill Records
Chess Records
Savoy Records
Rounder Records
Fat Possum Records
ANTI-
Shout! Factory
E1 Music
Website www.thekingsolomonburke.com

Early life and influences

James Solomon McDonald[27] (later Solomon McDonald Vincent Burke)[28] was born on the upper floor of the home of his maternal grandmother, Eleanor Alma "Mother" Moore (born about 1900 in Florence, South Carolina; died 19 December 1954 in Philadelphia)[18][29] in a row house at 3036 Mt Vernon Street, West Philadelphia, Pennsylvania.[30]

On Thursday, March 21, 1940.[1][31] Burke was the oldest child of Josephine Moore (born 1 April 1920 in Panama City, Florida; died 27 August 1990 in Germantown, Pennsylvania[disambiguation needed])[32][33] who had been a nurse, taught kindergarten for five years on the School District of Philadelphia,[34] and been a concert singer,[28] and an unknown father.

 At birth he was consecrated a bishop by his grandmother in the Solomon's Temple, a congregation of the United House of Prayer For All People, founded by her in her home about 1928 in the Black Bottom section of West Philadelphia,[35][36] after she had a vision indicating: "A child shall lead you." He was the godson of Daddy Grace.[37]

In 2006 Burke describes his birth: "I was born upstairs while church was going on downstairs. And nobody heard me, so I guess I was in tune. The band was playing. People shouting and having a good time. I have the trombones and tubas and tambourines and guitars and pianos in my soul. It’s just a normal reaction to me, to hear that rhythm, to hear that beat."[38]

Burke credits his grandmother as his primary spiritual and musical influence: "She was my mentor, a spiritual medium directly associated with Daddy Grace and Father Divine. She used to have a sign in her home. It read 'Jesus Never Fails.'

That's when and what I began to preach."[39] In 2005 Burke recalled: "My grandmother was born a prophetess and born a great seer, and she was and still is my influence. Her words have never faded—they become stronger. Everything that she predicted in my lifetime has come true and is still coming true to this day."[23]

Burke revealed: "My grandmother told me of the things I would do in life. That I would travel the world and see things I had never seen before; that I would be able to perform for millions of people and not see them; that I would be able to go places that I had never been and may never go again; that I would have a large family."[40]

Burke also indicated: "She was my greatest encouragement. She would make me listen to the radio: classical, country, jazz, Paul Robeson, Count Basie. And she told me to copy them and learn to phrase and project a song.

She was my teacher. I never had no music training. She gave me the promise of a new life, not just as a singer, but as a person alone in the world with nothing but Jesus. All the great singers came out of the church. Jackie Wilson. Sam Cooke. Brook Benton.

Your first duty is to give it to God."[36] Burke recalled in 2005: “Ever since I was a kid, I was at home, ‘lookin’ at the radio. “My grandmother made sure we listened to two hours of music a week—the Top 40, Perry Como, Dean Martin and Gene Autry, who I just loved as a kid.

He’d come on the radio singing, ‘I’m back in the saddle again,’ and my grandmother would always say, ‘Listen to the pronunciation, listen to the diction — you hear every word clearly."[23] According to Burke, his mother introduced him to Jimmy Reed and Ray Charles as well as that era's king of smooth, Billy Eckstein. "

She played all these records on our Admiral combination radio-record-player-TV. For that reason alone, I looked forward to doing chores – so that I could hear their music."[39] Other musical influences included bluesmen Muddy Waters and John Lee Hooker, gospel queen Clara Ward, and Big Joe Turner.[12]

At the age of 7 Solomon preached "He is My Life,"[28] the first of many sermonettes, in Solomon's Temple,[36][38] In his youth, "he was so charismatic in the pulpit that he was known as the Boy Wonder Preacher,"[41] and by all accounts, "young Burke was a frantic sermonizer, spellbinding in his delivery."[42]

Influenced by Superman,[43] "the first sign of a royal persona was evident in the cape that he wore only on Sundays, made from his "blankie"[41] by his grandmother.[44]

From age 12 Burke became a pastor of the congregation,[45] and also appeared for 15 minutes each week (later expanded to 30 minutes) on WDAS (then 1400 AM) with Randy Dixon, the African-American host of "Ebony Hall of Fame."[46][47]

At age 12 Burke hosted a gospel show on WHAT-AM, an R&B and gospel radio station,[1] mixing both song and sermon in broadcasts from Solomon's Temple.[48]

 On weekends Burke traveled with a truck and tent, to Maryland, Virginia, and the Carolinas to carry on the spiritual crusade of his church.[18]

From an early age Burke struggled with a "fondness for food" and with obesity, indicating in 2005: "I was 160 [pounds] when I was 9,"[49] and recalled that "at nine I passed for 16."[2]

In 1949 Vincent Burke (born 1 December 1917 in Philadelphia; died March 1978 in Philadelphia),[32][50] a 130 pound Hebrew-speaking black Jew, the son of an immigrant father from Kingston, Jamaica,[18] who worked as a chicken plucker at Jake's Chicken Market, a kosher butcher shop at 40th and Girard,[1] as well as a carpenter, who was a guitar player,[28] became his stepfather.[22] After this Sol changed his name to Solomon McDonald Vincent Burke, but was often called "Sol" by family and friends.[28]

 Burke later described his stepfather: "My father was very special to me. He was a very spiritual man. He was a black rabbi, who would go to upper Pennsylvania and purchase chicken, turkeys and ducks.”[51]

Solomon Burke had six younger siblings – a sister, Laurena Burke-Corbin (born 23 June 1946),[28] and five brothers: Elec Edward "Alec" (born 16 February 1948),[52] Vladimir H. "Laddie" (born 31 July 1949),[53] Mario "Chuck" (born 13 September 1953),[52] Daniel S. "Danny" (born 10 March 1955),[52] and Jolester R. M. Burke (born 24 September 1958).[28][30][52][54]

From an early age Burke worked to supplement his family's income. Burke recalled: "I used to deliver grocery orders in a little wagon I made out of fish boxes.

When I was seven, I sold newspapers out of my own newsstand on the corner of 40th and Lancaster. I had the first 99-cent car wash, which was located at 40th and Wallace outside Al's Barber Shop.

We had it there because he was the only one who would let us use his water. We could wash your car in 20 minutes.

I had four or five guys, gave 'em each a nickel for each car.[1] Another briefly held early job was as a hot dog seller at Eddie's Meat Market, where his friend Chubby Checker also worked.[1]

Source: Wikipedia 

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