Showing posts with label Country Music Association. Show all posts
Showing posts with label Country Music Association. Show all posts

Thursday, July 30, 2015

Conway Twitty~ "Who Will Pray For Me"



Conway Twitty (born Harold Lloyd Jenkins; September 1, 1933 – June 5, 1993) was an American musician and singer.

He had success in the country, rock, R&B, and pop genres.

He held the record for the most number one singles of any act, with 40 No. 1 Billboard country hits[citation needed], until George Strait broke the record in 2006.

From 1971 to 1976, Twitty received a string of Country Music Association awards for duets with Loretta Lynn.

Although never a member of the Grand Ole Opry, he was inducted into both the Country Music and Rockabilly Halls of Fame.



Conway Twitty
Conway Twitty 1974.JPG
1974 promotional photo
Background information
Birth name Harold Lloyd Jenkins
Born September 1, 1933
Friars Point, Coahoma County, Mississippi, U.S.
Origin Helena, Phillips County
Arkansas
Died June 5, 1993 (aged 59)
Springfield, Missouri, U.S.
Genres Country, rock and roll
Occupation(s) Singer-songwriter
Instruments Vocals, guitar
Years active 1955-1993
Labels MCA, Elektra, MGM, Decca, Sun Records, Warner Bros. Records
Associated acts Loretta Lynn, Sam Moore, Jerry Lee Lewis, The Twitty Bird Band, Joni Lee

 

Biography

Early life

 

Conway Twitty was born on September 1, 1933 in Friars Point in Coahoma County in northwestern Mississippi.

He was named by his great uncle, after his favorite silent movie actor, Harold Lloyd.

The Jenkins family moved to Helena, Arkansas when Harold was ten years old. In Helena, Harold formed his first singing group, the Phillips County Ramblers.[citation needed]

Two years later, Harold had his own local radio show every Saturday morning. He also played baseball, his second passion.

He received an offer to play with the Philadelphia Phillies after high school (Smiths Station High School), but he was drafted into the US Army.

He served in the Far East and organized a group called The Cimmerons to entertain fellow GIs.[1]

Wayne Hause, a neighbor, suggested that Harold could make it in the music industry. Soon after hearing Elvis Presley's song "Mystery Train", Harold began writing rock and roll material.

He went to the Sun Studios in Memphis, Tennessee and worked with Sam Phillips, the owner and founder, to get the "right" sound.[citation needed]

Stage name

 

Accounts of how Harold Jenkins acquired his stage name of Conway Twitty vary.

Allegedly, in 1957, Jenkins decided that his real name wasn't marketable and sought a better show business name.

In The Billboard Book of Number One Hits Fred Bronson states that the singer was looking at a road map when he spotted Conway, Arkansas, and Twitty, Texas, and chose the name Conway Twitty.

Another account says that Jenkins met a Richmond, Virginia, man named W. Conway Twitty Jr. through Jenkins' manager in a New York City restaurant.

The manager served in the US Army with the real Conway Twitty.

Later, the manager suggested to Jenkins that he take the name as his stage name because it had a ring to it.

In the mid-1960s, W. Conway Twitty subsequently recorded the song "What's in a Name but Trouble", lamenting the loss of his name to Harold Jenkins.

Pop and rock & roll success

 

In 1958 using his new stage name, Conway Twitty's fortunes improved while he was with MGM Records, and an Ohio radio station had an inspiration, refraining from playing "I'll Try" (an MGM single that went nowhere in terms of sales, radio play, and jukebox play), instead playing the B-side, "It's Only Make Believe", a song written between sets by Twitty and drummer Jack Nance when they were in Hamilton, Ontario, playing at the Flamingo Lounge.[2]

The record took nearly one year to reach and stay at the top spot on the Billboard pop music charts in the US, as well as No. 1 in 21 other countries, becoming the first of nine top 40 hits for Twitty.

That same year, country singer Tabby West of ABC-TV's Ozark Jubilee heard Twitty and booked him to appear on the show.[1]

For a brief period, due to voice similarities, some believed "It's Only Make Believe" was actually recorded by Elvis Presley, using "Conway Twitty" as a pseudonym.

Twitty would go on to enjoy rock and roll success with songs including "Danny Boy" (Pop No. 10) and "Lonely Blue Boy" (Pop No. 6).

"Lonely Blue Boy", originally titled "Danny", was recorded by Presley for the film King Creole but was not used in the soundtrack.[citation needed]

In 1960, Twitty appeared in three feature films: College Confidential, Sex Kittens Go to College and Platinum High School.

Country music career

 

Twitty always wanted to record country music and, beginning in 1965, he did just that.

His first few country albums were met with some country DJ's refusing to play them because he was known as a rock 'n' roll singer.

However, he finally broke free with his first top five country hit, "The Image of Me", in July 1968, ensued by his first number one country song, "Next in Line", in November 1968.

Few of his singles beginning in 1968 ranked below the top five.

In 1970, Twitty recorded and released his biggest country hit, "Hello Darlin'", which spent four weeks at the top of the country chart and is one of Twitty's most recognized songs.

In 1971 he released his first hit duet with Loretta Lynn, "After the Fire Is Gone".

It was a success, and many more followed, including "Lead Me On" (1971), "Louisiana Woman, Mississippi Man" (1973), "As Soon as I Hang Up the Phone" (1974), "Feelins'" (1975), "I Still Believe in Waltzes", "I Can't Love You Enough", and many others.

Together, Conway and Loretta (as they were known in their act), won four consecutive Country Music Association awards for vocal duo (1972–75) and a host of other duo and duet awards from other organizations throughout the 1970s.

In 1973, Twitty released "You've Never Been This Far Before", which was not only No. 1 in country for three weeks that September but also reached No. 22 on the pop charts.

Some more conservative disc jockeys refused to play the song, believing that some of the lyrics were too sexually suggestive.

In 1978, Twitty issued the single "The Grandest Lady of Them All" honoring the Grand Ole Opry, but for the first time since 1967, a single of his failed to reach top ten status as some radio stations refused to play a song honoring the property of a competitor (broadcast by WSM-AM).

Nevertheless, the single reached the top 20, peaking at No. 16 but it was well below expectations, and this set in motion the changes that were to take place in his career, including a new hairstyle, changing from the slicked-back pompadour style to the curlier style he would keep the rest of his life.

However, Twitty's popularity and momentum were unaffected by the song as his next 23 consecutive singles all made it into the top 10, with 13 peaking at No. 1, including "Don't Take It Away", "I May Never Get to Heaven", "Happy Birthday Darlin'" and remakes of major pop hits such as "The Rose" and "Slow Hand".

In 1985, going by all weekly music trade charts, the song "Don't Call Him a Cowboy" became the 50th single of his career to achieve a No. 1 ranking.

He would have five more through 1990, giving him a total of 55 No. 1 hits.

George Strait eclipsed the feat of 50 No. 1 hits in 2002 with his single "She'll Leave You With a Smile" and then reached No. 1 for the 56th time in 2007 when the single "Wrapped" hit the top on the Media Base 24/7 list.

Throughout much of Twitty's country music career his recording home was Decca Records, later renamed MCA.

He signed with the label in late 1965 but left in 1981 when it appeared MCA was marketing and promoting newer acts, plus management at the label had changed and other factors brought on the decision.

He joined Elektra/Asylum in 1982.

That label merged with its parent company, Warner Bros. Records in 1983.

He stayed on with Warner Bros. Records through early 1987 but then went back to MCA to finish out his career.

In 1993, shortly before he died, he recorded a new album, Final Touches.

Baseball

 

Twitty joined entrepreneur Larry Schmittou and other country music stars, such as Cal Smith, Jerry Reed, Larry Gatlin, and Richard Sterban, in 1977 as investors in the Nashville Sounds, a minor league baseball team of the Double-A Southern League that began play in 1978.[3]

He threw out the ceremonial first pitch at the team's innaugrial home opener at Herschel Greer Stadium on April 26, 1978.[4]

Twitty City

 

Twitty lived for many years in Hendersonville, Tennessee, just north of Nashville, where he built a country music entertainment complex called Twitty City at a cost of over $3.5 million.T
witty and Twitty City were once featured on the TV series Lifestyles of the Rich and Famous. and was also seen in the Nashville episode of the BBC series Entertainment USA, presented by Jonathan King.

Opened in 1982 it was a popular tourist stop throughout the 1980s and into the early 1990s; it was shut down in 1994 following a year-long tribute show called Final Touches, when fans and peers in the music business dropped by.

The complex was auctioned off and bought by the Trinity Broadcasting Network the #1 Faith-based network in the world; now known as Trinity Music City, USA, it is open to the public, with free tours.

Personal Life

 

Twitty was married three times. His first marriage lasted from 1953 to 1954.

He had married because he had gotten the girl pregnant with his son, Michael.

His second marriage, and longest, was to his wife Mickey.

Twitty married Mickey in 1956 and had his three other children by her, Kathy, Joni Lee, and Jimmy Twitty.

By 1984, after 28 years of marriage, the stress of her husband being away so often took its toll on Mickey, and she and Conway divorced.

In 1987, Twitty married his 36 year old office secretary, Delores "Dee" Henry.
They were married until Twitty's death.

Death

 

In June 1993, Twitty became ill while performing at the Jim Stafford Theatre in Branson, Missouri, and was in pain while he was on his tour bus.

He died in Springfield, Missouri, at Cox South Hospital, from an abdominal aortic aneurysm, aged 59, two months before the release of what would be his final studio album, Final Touches.

Four months after Twitty's death, George Jones included a cover of "Hello Darlin'" on his album High-Tech Redneck.

Twitty is buried at Sumner Memorial Gardens in Gallatin, Tennessee in a red granite vault, under the name "Harold L. Jenkins".

There is space reserved next to him for his wife.[5]

Posthumous releases

 

Since his death, Twitty's son Michael and grandson Tre have been carrying on his musical legacy.

His most recent chart appearance on the country charts was a duet with Anita Cochran, "I Want to Hear a Cheating Song" (2004), which was made possible by splicing Twitty's vocal from old recordings and even interviews, recorded over the years.

As a result, Twitty's isolated vocal track transferred to a digital multi-track and digitally re-assembled into the new performance.

Similar to the electronic duets of Patsy Cline and Jim Reeves, Hank Williams and Hank Williams, Jr. or Nat King Cole and Natalie Cole, Cochran added her vocal to the already-produced backing tracks along with Twitty's reconstructed vocal.[citation needed]

Currently, Bear Family Records offers a single-disc collection featuring 30 songs entitled "Conway Rocks," in addition to "The Rock'n'Roll Years," a comprehensive 8-disc box set showcasing his complete early recordings as a rock artist.[citation needed]

Legal issues

 

Taxes

 

Twitty's success in country music was a key factor in his winning a 1983 case, Harold L. Jenkins (a/k/a Conway Twitty) v. Commissioner in United States Tax Court.

The Internal Revenue Service denied Twitty's attempt to deduct from his taxes, as an "ordinary and necessary" business expense, payments he had made in order to repay investors in a defunct fast-food chain called Twitty Burger.

The chain went under in 1971.

The general rule is that the payment of someone else's debts is not deductible. Twitty alleged that his primary motive was "protecting his personal business reputation."

The court opinion contained testimony from Twitty about his bond with country music fans.[6]


Estate

Twitty married three times.

His widow in 1993, Dee Henry Jenkins, and his four grown children from the previous marriages, Michael, Joni, Kathy and Jimmy Jenkins, engaged in a public dispute over the estate.

Twitty's will had not been updated to account for the third marriage, but Tennessee law reserves one third of any estate to the widow.

After years of probate, the four children received the rights to Twitty's music, name and image.

The rest of the estate went to public auction, where much of the property and memorabilia was sold after his widow rejected the appraised value.

In 2008, controversy again erupted in his family when the four remaining children sued Sony/ATV Music Publishing over an agreement that Twitty and his family signed in 1990.

The suit alleged that the terms of the agreement were not fully understood by the children, although they were all adults at the time.

It sought to recover copyrights and royalty revenue that the document assigned to the company.[7]

55 No.1 hits

 


Twitty was the only singer to have 55 No. 1 hits[citation needed] in his career until George Strait eventually eclipsed the long-held record. Conway's 55th and final No. 1 was "Crazy in Love" in 1990 on the Cashbox country chart.

His final No. 1 on the Billboard country charts was "Desperado Love" in 1986. His first No. 1 was "It's Only Make Believe" in 1958 on the Hot 100 pop chart.

 He is best known for his 1970 No. 1 single "Hello Darlin'."[citation needed]

There were multiple weekly music charts in circulation during much of Conway's career: Billboard, Record World, Cashbox, Gavin, Radio, and Records.

Billboard is the lone surviving publication of the group.

Radio and Records, emerging in 1973, was bought out by Billboard in 2006 (ending a 33-year run as an independent music survey) but the R&R brand was phased out in 2009 altogether.

Conway reached No. 1 on Radio and Records many times; quite a few of his No. 1 hits in the latter years of his career reached the top of this publication while peaking in the top five in Billboard.

The Gavin Report, founded in 1958, ended publication in 2002. Cashbox was in publication from 1942 through 1996.

As is the case with Radio and Records, Conway reached No. 1 on Cashbox with most of his recordings.

His 55th and final No. 1 hit, "Crazy in Love", reached No. 1 on Cashbox and No. 3 on Billboard in the fall of 1990.

Record World started out under the name Music Vendor in 1946.

The publication's name change took place in 1964.

Conway often reached No. 1 on the Record World country charts with singles that reached the No. 2 or No. 3 position on Billboard's chart.

Billboard began publication in 1894 and was completely different from what it appears today.

It wasn't until the 1930s that music sales and, later, jukebox play became a focal point of the publication.

In the late 1950s, Billboard unveiled their Hot 100 chart which has more commonly become known as the pop singles chart. Their country chart began in 1944 and is still in publication.

Twitty reached No. 1 40 times on the Billboard country chart from 1968 through 1986.

His 1958 single "It's Only Make Believe" reached No. 1 on Billboard's Hot 100, giving him an overall total of 41 Billboard No. 1 hits.

The 41 Billboard No. 1 hits are often what historians and critics[who?] point to whenever citing his No. 1 total even though, technically, he reached the top 14 additional times with other singles on the other weekly music charts.

Source: Wikipedia.org

Somebody Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!

The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!



TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.

Simply click this link and Grow as you Go Come and Play In Traffic With Me and My Team at Traffic Authority!

P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!
 
 

Conway Twitty~ "Who Do They Think He Was"



Conway Twitty (born Harold Lloyd Jenkins; September 1, 1933 – June 5, 1993) was an American musician and singer.

He had success in the country, rock, R&B, and pop genres. He held the record for the most number one singles of any act, with 40 No. 1 Billboard country hits[citation needed], until George Strait broke the record in 2006.

From 1971 to 1976, Twitty received a string of Country Music Association awards for duets with Loretta Lynn. Although never a member of the Grand Ole Opry, he was inducted into both the Country Music and Rockabilly Halls of Fame.


Conway Twitty
Conway Twitty 1974.JPG
1974 promotional photo
Background information
Birth name Harold Lloyd Jenkins
Born September 1, 1933
Friars Point, Coahoma County, Mississippi, U.S.
Origin Helena, Phillips County
Arkansas
Died June 5, 1993 (aged 59)
Springfield, Missouri, U.S.
Genres Country, rock and roll
Occupation(s) Singer-songwriter
Instruments Vocals, guitar
Years active 1955-1993
Labels MCA, Elektra, MGM, Decca, Sun Records, Warner Bros. Records
Associated acts Loretta Lynn, Sam Moore, Jerry Lee Lewis, The Twitty Bird Band, Joni Lee

 

Biography

Early life

 

Conway Twitty was born on September 1, 1933 in Friars Point in Coahoma County in northwestern Mississippi.

He was named by his great uncle, after his favorite silent movie actor, Harold Lloyd.

The Jenkins family moved to Helena, Arkansas when Harold was ten years old. In Helena, Harold formed his first singing group, the Phillips County Ramblers.[citation needed]

Two years later, Harold had his own local radio show every Saturday morning. He also played baseball, his second passion.

He received an offer to play with the Philadelphia Phillies after high school (Smiths Station High School), but he was drafted into the US Army. He served in the Far East and organized a group called The Cimmerons to entertain fellow GIs.[1]

Wayne Hause, a neighbor, suggested that Harold could make it in the music industry. Soon after hearing Elvis Presley's song "Mystery Train", Harold began writing rock and roll material. He went to the Sun Studios in Memphis, Tennessee and worked with Sam Phillips, the owner and founder, to get the "right" sound.[citation needed]

Stage name

 

Accounts of how Harold Jenkins acquired his stage name of Conway Twitty vary.

Allegedly, in 1957, Jenkins decided that his real name wasn't marketable and sought a better show business name.

In The Billboard Book of Number One Hits Fred Bronson states that the singer was looking at a road map when he spotted Conway, Arkansas, and Twitty, Texas, and chose the name Conway Twitty.

Another account says that Jenkins met a Richmond, Virginia, man named W. Conway Twitty Jr. through Jenkins' manager in a New York City restaurant.

The manager served in the US Army with the real Conway Twitty.

Later, the manager suggested to Jenkins that he take the name as his stage name because it had a ring to it.

In the mid-1960s, W. Conway Twitty subsequently recorded the song "What's in a Name but Trouble", lamenting the loss of his name to Harold Jenkins.

Pop and rock & roll success

 

In 1958 using his new stage name, Conway Twitty's fortunes improved while he was with MGM Records, and an Ohio radio station had an inspiration, refraining from playing "I'll Try" (an MGM single that went nowhere in terms of sales, radio play, and jukebox play), instead playing the B-side, "It's Only Make Believe", a song written between sets by Twitty and drummer Jack Nance when they were in Hamilton, Ontario, playing at the Flamingo Lounge.[2]

The record took nearly one year to reach and stay at the top spot on the Billboard pop music charts in the US, as well as No. 1 in 21 other countries, becoming the first of nine top 40 hits for Twitty.

That same year, country singer Tabby West of ABC-TV's Ozark Jubilee heard Twitty and booked him to appear on the show.[1]

For a brief period, due to voice similarities, some believed "It's Only Make Believe" was actually recorded by Elvis Presley, using "Conway Twitty" as a pseudonym.

Twitty would go on to enjoy rock and roll success with songs including "Danny Boy" (Pop No. 10) and "Lonely Blue Boy" (Pop No. 6). "Lonely Blue Boy", originally titled "Danny", was recorded by Presley for the film King Creole but was not used in the soundtrack.[citation needed]

In 1960, Twitty appeared in three feature films: College Confidential, Sex Kittens Go to College and Platinum High School.

Country music career

 

Twitty always wanted to record country music and, beginning in 1965, he did just that.

His first few country albums were met with some country DJ's refusing to play them because he was known as a rock 'n' roll singer.

However, he finally broke free with his first top five country hit, "The Image of Me", in July 1968, ensued by his first number one country song, "Next in Line", in November 1968.

Few of his singles beginning in 1968 ranked below the top five.

In 1970, Twitty recorded and released his biggest country hit, "Hello Darlin'", which spent four weeks at the top of the country chart and is one of Twitty's most recognized songs.

In 1971 he released his first hit duet with Loretta Lynn, "After the Fire Is Gone". It was a success, and many more followed, including "Lead Me On" (1971), "Louisiana Woman, Mississippi Man" (1973), "As Soon as I Hang Up the Phone" (1974), "Feelins'" (1975), "I Still Believe in Waltzes", "I Can't Love You Enough", and many others.

Together, Conway and Loretta (as they were known in their act), won four consecutive Country Music Association awards for vocal duo (1972–75) and a host of other duo and duet awards from other organizations throughout the 1970s.

In 1973, Twitty released "You've Never Been This Far Before", which was not only No. 1 in country for three weeks that September but also reached No. 22 on the pop charts. Some more conservative disc jockeys refused to play the song, believing that some of the lyrics were too sexually suggestive.

In 1978, Twitty issued the single "The Grandest Lady of Them All" honoring the Grand Ole Opry, but for the first time since 1967, a single of his failed to reach top ten status as some radio stations refused to play a song honoring the property of a competitor (broadcast by WSM-AM).

Nevertheless, the single reached the top 20, peaking at No. 16 but it was well below expectations, and this set in motion the changes that were to take place in his career, including a new hairstyle, changing from the slicked-back pompadour style to the curlier style he would keep the rest of his life.

However, Twitty's popularity and momentum were unaffected by the song as his next 23 consecutive singles all made it into the top 10, with 13 peaking at No. 1, including "Don't Take It Away", "I May Never Get to Heaven", "Happy Birthday Darlin'" and remakes of major pop hits such as "The Rose" and "Slow Hand".

In 1985, going by all weekly music trade charts, the song "Don't Call Him a Cowboy" became the 50th single of his career to achieve a No. 1 ranking. He would have five more through 1990, giving him a total of 55 No. 1 hits.

George Strait eclipsed the feat of 50 No. 1 hits in 2002 with his single "She'll Leave You With a Smile" and then reached No. 1 for the 56th time in 2007 when the single "Wrapped" hit the top on the Media Base 24/7 list.

Throughout much of Twitty's country music career his recording home was Decca Records, later renamed MCA. He signed with the label in late 1965 but left in 1981 when it appeared MCA was marketing and promoting newer acts, plus management at the label had changed and other factors brought on the decision.

He joined Elektra/Asylum in 1982.

That label merged with its parent company, Warner Bros. Records in 1983.

He stayed on with Warner Bros. Records through early 1987 but then went back to MCA to finish out his career.

In 1993, shortly before he died, he recorded a new album, Final Touches.

Baseball

 

Twitty joined entrepreneur Larry Schmittou and other country music stars, such as Cal Smith, Jerry Reed, Larry Gatlin, and Richard Sterban, in 1977 as investors in the Nashville Sounds, a minor league baseball team of the Double-A Southern League that began play in 1978.[3]

He threw out the ceremonial first pitch at the team's innaugrial home opener at Herschel Greer Stadium on April 26, 1978.[4]

Twitty City

 

Twitty lived for many years in Hendersonville, Tennessee, just north of Nashville, where he built a country music entertainment complex called Twitty City at a cost of over $3.5 million. Twitty and Twitty City were once featured on the TV series Lifestyles of the Rich and Famous. and was also seen in the Nashville episode of the BBC series Entertainment USA, presented by Jonathan King.

Opened in 1982 it was a popular tourist stop throughout the 1980s and into the early 1990s; it was shut down in 1994 following a year-long tribute show called Final Touches, when fans and peers in the music business dropped by.

The complex was auctioned off and bought by the Trinity Broadcasting Network the #1 Faith-based network in the world; now known as Trinity Music City, USA, it is open to the public, with free tours.

Personal Life

 

Twitty was married three times. His first marriage lasted from 1953 to 1954.

He had married because he had gotten the girl pregnant with his son, Michael.

His second marriage, and longest, was to his wife Mickey.

Twitty married Mickey in 1956 and had his three other children by her, Kathy, Joni Lee, and Jimmy Twitty.

By 1984, after 28 years of marriage, the stress of her husband being away so often took its toll on Mickey, and she and Conway divorced.

In 1987, Twitty married his 36 year old office secretary, Delores "Dee" Henry.
They were married until Twitty's death.

Death

 

In June 1993, Twitty became ill while performing at the Jim Stafford Theatre in Branson, Missouri, and was in pain while he was on his tour bus.

He died in Springfield, Missouri, at Cox South Hospital, from an abdominal aortic aneurysm, aged 59, two months before the release of what would be his final studio album, Final Touches.

Four months after Twitty's death, George Jones included a cover of "Hello Darlin'" on his album High-Tech Redneck.

Twitty is buried at Sumner Memorial Gardens in Gallatin, Tennessee in a red granite vault, under the name "Harold L. Jenkins".

There is space reserved next to him for his wife.[5]

Posthumous releases

 

Since his death, Twitty's son Michael and grandson Tre have been carrying on his musical legacy.

His most recent chart appearance on the country charts was a duet with Anita Cochran, "I Want to Hear a Cheating Song" (2004), which was made possible by splicing Twitty's vocal from old recordings and even interviews, recorded over the years.

As a result, Twitty's isolated vocal track transferred to a digital multi-track and digitally re-assembled into the new performance.

Similar to the electronic duets of Patsy Cline and Jim Reeves, Hank Williams and Hank Williams, Jr. or Nat King Cole and Natalie Cole, Cochran added her vocal to the already-produced backing tracks along with Twitty's reconstructed vocal.[citation needed]

Currently, Bear Family Records offers a single-disc collection featuring 30 songs entitled "Conway Rocks," in addition to "The Rock'n'Roll Years," a comprehensive 8-disc box set showcasing his complete early recordings as a rock artist.[citation needed]

Legal issues

 

Taxes

 

Twitty's success in country music was a key factor in his winning a 1983 case, Harold L. Jenkins (a/k/a Conway Twitty) v. Commissioner in United States Tax Court.

The Internal Revenue Service denied Twitty's attempt to deduct from his taxes, as an "ordinary and necessary" business expense, payments he had made in order to repay investors in a defunct fast-food chain called Twitty Burger.

The chain went under in 1971.

The general rule is that the payment of someone else's debts is not deductible. Twitty alleged that his primary motive was "protecting his personal business reputation." The court opinion contained testimony from Twitty about his bond with country music fans.[6]

Estate

 

Twitty married three times.

His widow in 1993, Dee Henry Jenkins, and his four grown children from the previous marriages, Michael, Joni, Kathy and Jimmy Jenkins, engaged in a public dispute over the estate.

Twitty's will had not been updated to account for the third marriage, but Tennessee law reserves one third of any estate to the widow.

After years of probate, the four children received the rights to Twitty's music, name and image.

The rest of the estate went to public auction, where much of the property and memorabilia was sold after his widow rejected the appraised value.

In 2008, controversy again erupted in his family when the four remaining children sued Sony/ATV Music Publishing over an agreement that Twitty and his family signed in 1990.

The suit alleged that the terms of the agreement were not fully understood by the children, although they were all adults at the time. It sought to recover copyrights and royalty revenue that the document assigned to the company.[7]

55 No.1 hits

 


Twitty was the only singer to have 55 No. 1 hits[citation needed] in his career until George Strait eventually eclipsed the long-held record. Conway's 55th and final No. 1 was "Crazy in Love" in 1990 on the Cashbox country chart.

His final No. 1 on the Billboard country charts was "Desperado Love" in 1986. His first No. 1 was "It's Only Make Believe" in 1958 on the Hot 100 pop chart. He is best known for his 1970 No. 1 single "Hello Darlin'."[citation needed]

There were multiple weekly music charts in circulation during much of Conway's career: Billboard, Record World, Cashbox, Gavin, Radio, and Records. Billboard is the lone surviving publication of the group.

Radio and Records, emerging in 1973, was bought out by Billboard in 2006 (ending a 33-year run as an independent music survey) but the R&R brand was phased out in 2009 altogether.

Conway reached No. 1 on Radio and Records many times; quite a few of his No. 1 hits in the latter years of his career reached the top of this publication while peaking in the top five in Billboard.

The Gavin Report, founded in 1958, ended publication in 2002. Cashbox was in publication from 1942 through 1996.

As is the case with Radio and Records, Conway reached No. 1 on Cashbox with most of his recordings.

His 55th and final No. 1 hit, "Crazy in Love", reached No. 1 on Cashbox and No. 3 on Billboard in the fall of 1990.

Record World started out under the name Music Vendor in 1946.

The publication's name change took place in 1964.

Conway often reached No. 1 on the Record World country charts with singles that reached the No. 2 or No. 3 position on Billboard's chart.

Billboard began publication in 1894 and was completely different from what it appears today.

It wasn't until the 1930s that music sales and, later, jukebox play became a focal point of the publication.

In the late 1950s, Billboard unveiled their Hot 100 chart which has more commonly become known as the pop singles chart. Their country chart began in 1944 and is still in publication.

Twitty reached No. 1 40 times on the Billboard country chart from 1968 through 1986.

His 1958 single "It's Only Make Believe" reached No. 1 on Billboard's Hot 100, giving him an overall total of 41 Billboard No. 1 hits.

The 41 Billboard No. 1 hits are often what historians and critics[who?] point to whenever citing his No. 1 total even though, technically, he reached the top 14 additional times with other singles on the other weekly music charts.

Source: Wikipedia.org


Somebody Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!

The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!



TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.

Simply click this link and Grow as you Go Come and Play In Traffic With Me and My Team at Traffic Authority!

P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!
 
 

Wednesday, July 15, 2015

Jim Reeves~ "It is No Secret What GOD Can Do"



James Travis "Jim" Reeves (August 20, 1923 – July 31, 1964) was an American country and popular music singer-songwriter.

With records charting from the 1950s to the 1980s, he became well known as a practitioner of the Nashville sound (a mixture of older country-style music with elements of popular music).

Known as "Gentleman Jim", his songs continued to chart for years after his death. Reeves died in the crash of a private airplane. He is a member of both the Country Music and Texas Country Music Halls of Fame.

Jim Reeves
Jim Reeves.jpg
Background information
Birth name James Travis Reeves
Also known as Gentleman Jim
Born August 20, 1923
Galloway, Texas, U.S.
Died July 31, 1964 (aged 40)
Davidson County, Tennessee, U.S.
Genres Country, Nashville sound, Gospel, Blues, Western Swing
Occupation(s) Singer-songwriter, musician
Years active 1948–1964
Labels RCA Victor, Fabor, Macy, Abbott
Associated acts Chet Atkins, Floyd Cramer, Dottie West


Biography

Early life and education

Reeves was born in Galloway, Texas, a small rural community near Carthage. Winning an athletic scholarship to the University of Texas, he enrolled to study speech and drama, but quit after only six weeks to work in the shipyards in Houston.

Soon he resumed baseball, playing in the semi-professional leagues before contracting with the St. Louis Cardinals "farm" team during 1944 as a right-handed pitcher. He played for the minor leagues for three years before severing his sciatic nerve while pitching, which ended his athletic career.[citation needed]

Early career

Reeves began to work as a radio announcer, and sang live between songs. During the late 1940s, he was contracted with a couple of small Texas-based recording companies, but without success.

Influenced by such Western swing-music artists as Jimmie Rodgers and Moon Mullican, as well as popular singers Bing Crosby, Eddy Arnold and Frank Sinatra, it was not long before he was a member of Moon Mullican's band, and made some early Mullican-style recordings like "Each Beat of my Heart" and "My Heart's Like a Welcome Mat" from the late 1940s to the early 1950s.


He eventually obtained a job as an announcer for KWKH-AM in Shreveport, Louisiana, then the home of the popular radio program the Louisiana Hayride. According to former Hayride master of ceremonies Frank Page, who had introduced Elvis Presley on the program in 1954,[1] singer Sleepy LaBeef was late for a performance, and Reeves was asked to substitute.

(Other accounts—including that of Reeves himself, in an interview on the RCA Victor album Yours Sincerely—name Hank Williams as the absentee.)

Initial success in the 1950s

Reeves' first successful country music songs included "I Love You" (a duet with Ginny Wright), "Mexican Joe", and "Bimbo" which reached Number 1 in 1954 on the U.S. Country Charts, and other songs with both Fabor Records and Abbott Records.

Abbott released his first album in November 1955, Jim Reeves Sings (Abbott 5001), which was the label's only album release.

Earlier in 1955, he was signed to a 10-year recording contract with RCA Victor by Steve Sholes, who produced some of Reeves' first recordings at RCA Victor and signed Elvis Presley for the company that same year. Also in 1955, he joined the Grand Ole Opry[2] and made his first appearance on ABC-TV's Ozark Jubilee, where he was a fill-in host from May–July 1958.

For his earliest RCA Victor recordings, Reeves was still singing with the loud style of his first recordings, considered standard for country and western performers at that time.

He decreased his volume, using a lower pitch and singing with lips nearly touching the microphone, although there were protests at RCA. During 1957, with the endorsement of his producer Chet Atkins, he used this style for his version of a demonstration song of lost love intended for a female singer.

"Four Walls" not only scored No. 1 on the country music charts, but scored No. 11 on the popular music charts. Reeves had helped begin a new style of country music, using violins and lusher background arrangements soon known as the Nashville sound.

Reeves became known as a crooner because of his rich light baritone voice. Songs such as "Adios Amigo", "Welcome to My World", and "Am I Losing You?" demonstrated this. His Christmas songs have been perennial favorites, including "C-H-R-I-S-T-M-A-S", "Blue Christmas" and "An Old Christmas Card".

He is also responsible for popularizing many gospel songs, including "We Thank Thee", "Take My Hand, Precious Lord", "Across The Bridge", "Where We'll Never Grow Old" and many others.

Early 1960s and international fame

Reeves scored his greatest success with the Joe Allison composition "He'll Have to Go",[3] a great success on both the popular and country music charts, which earned him a platinum record.

Released during late 1959, it scored number one on Billboard magazine's Hot Country Songs chart on February 8, 1960, which it scored for 14 weeks consecutive. Country music historian Bill Malone noted that while it was in many ways a conventional country song, its arrangement and the vocal chorus "put this recording in the country pop vein".

In addition, Malone lauded Reeves' vocal styling—lowered to "its natural resonant level" to project the "caressing style that became famous"—as why "many people refer to him as the singer with the velvet voice."[4]

In 1963, he released his well proclaimed "Twelve Songs of Christmas" album, which had the well known songs "C.H.R.I.S.T.M.A.S" and "An Old Christmas Card". During 1975, RCA producer Chet Atkins told interviewer Wayne Forsythe, "Jim wanted to be a tenor but I wanted him to be a baritone... I was right, of course. After he changed his voice to that smooth deeper sound, he was immensely popular."[5]

Reeves' international popularity during the 1960s, however, at times surpassed his popularity in the United States, helping to give country music a worldwide market for the first time.

South Africa

During the early 1960s, Reeves was more popular in South Africa than Elvis Presley and recorded several albums in the Afrikaans language.

In 1963, he toured and was featured in a South African film, Kimberley Jim. The film was released with a special prologue and epilogue in South African cinemas after Reeves' death, praising him as a true friend of the country.

The film was produced, directed, and written by Emil Nofal.[citation needed]

Reeves was one of an exclusive trio of performers to have released an album there that played at the little-used 16⅔ rpm speed. This unusual format was more suited to the spoken word and was quickly discontinued for music.

The only other artists known to have released such albums in South Africa were Elvis Presley and Slim Whitman.

Britain and Ireland

Reeves toured Britain and Ireland during 1963 between his tours of South Africa and Europe. Reeves and the Blue Boys were in Ireland from May 30 to June 19, 1963, with a tour of US military bases from June 10 to 15, when they returned to Ireland.

They performed in most counties in Ireland, though Reeves occasionally abbreviated performances because he was unhappy with the piano. In a June 6, 1963 interview with Spotlight magazine, Reeves expressed his concerns about the tour schedule and the condition of the pianos, but said he was pleased with the audiences.

There was a press reception for him at the Shannon Shamrock Inn organised by Tom Monaghan of Bunratty Castle, County Clare. Show band singers Maisie McDaniel and Dermot O' Brien welcomed him on May 29, 1963.

A photograph appeared in the Limerick Leader on June 1, 1963. Press coverage continued from May until Reeves's arrival with a photograph of the press reception in The Irish Press. Billboard magazine in the US also reported the tour before and after.

The single "Welcome to My World" with the B/W side "Juanita" was released by RCA Victor during June 1963 and bought by the distributors Irish Records Factors Ltd. This scored the record number one while Reeves was there during June.

There were a number of accounts of his dances in the local newspapers and a good account was given in The Kilkenny People of his dance in the Mayfair Ballroom where 1,700 persons were present.

There was a photograph in The Donegal Democrat of Reeves's singing in the Pavesi Ball Room on June 7, 1963, and an account of his non-appearance on stage in The Diamond, Kiltimagh, County Mayo in The Western People representing how the tour went in different areas.

He planned to record an album of popular Irish songs, and had three number one songs in Ireland during 1963 and 1964: "Welcome to My World", "I Love You Because", and "I Won't Forget You".

(The last two are estimated to have sold 860,000 and 750,000 respectively in Britain alone, excluding Ireland.) Reeves had 11 songs in the Irish charts from 1962 to 1967.

He recorded two Irish ballads, "Danny Boy" and "Maureen". "He'll Have to Go" was his most popular song there and was at number one and on the charts for months during 1960.

He was one of the most popular recording artists in Ireland, in the first ten after the Beatles, Elvis and Cliff Richard.

He was permitted to perform in Ireland by the Irish Federation of Musicians on the condition that he share the bill with Irish show bands, becoming popular by 1963.

The British Federation of Musicians would not permit him to perform there because no agreement existed for British show bands to travel to America in exchange for the Blue Boys playing in Britain. Reeves, however, performed for British radio and TV programmes.

Norway

Reeves played at the sports arena Njårdhallen, Oslo on April 16, 1964 with Bobby Bare, Chet Atkins, the Blue Boys and the Anita Kerr Singers.

They performed two concerts; the second was televised and recorded by the Norwegian network NRK (Norsk Rikskringkasting, the only one in Norway at the time). The complete concert, however, was not recorded, including some of Reeves' last songs.

There are reports he performed "You're the Only Good Thing (That's Happened to Me)" in this section. The program has been repeated on NRK several times over the years.

His first success in Norway, "He'll Have to Go", scored No. 1 in the Top Ten and scored the chart for 29 weeks. "I Love You Because" was his greatest success in Norway, scoring No. 1 during 1964 and scoring on the list for 39 weeks.

His albums spent 696 weeks in the Norwegian Top 20 chart, making him one of the most popular music artists in the history of Norway.

Last recording session

 

Reeves' last recording session for RCA Victor had produced "Make the World Go Away", "Missing You", and "Is It Really Over?" When the session ended with some time remaining on the schedule, Reeves suggested he record one more song.

He taped "I Can't Stop Loving You", in what was to be his final RCA recording. He made one later recording, however, at the little studio in his home. In late July 1964, just a couple of days before his death, Reeves recorded "I'm a Hit Again", using just an acoustic guitar as accompaniment.

That recording was never released by RCA (because it was a home recording not owned by the label), but appeared during 2003 as part of a collection of previously unissued Reeves songs released on the VoiceMasters label.

Death

 

On July 31, 1964, Reeves and his business partner and manager Dean Manuel (also the pianist of Reeves' backing group, the Blue Boys) left Batesville, Arkansas, en route to Nashville in a single-engine Beechcraft Debonair aircraft, with Reeves at the controls.

The two had secured a deal on some real estate (Reeves had also unsuccessfully tried to buy property from the LaGrone family in Deadwood, Texas, north of his birthplace of Galloway).

While flying over Brentwood, Tennessee, they encountered a violent thunderstorm. A subsequent investigation showed that the small airplane had become caught in the storm and Reeves suffered spatial disorientation.

The singer's widow, Mary Reeves (1929–1999), probably unwittingly started the rumor that he was flying the airplane upside down and assumed he was increasing altitude to clear the storm.

However, according to Larry Jordan, author of the 2011 biography, Jim Reeves: His Untold Story, this scenario is refuted by eyewitnesses known to crash investigators who saw the plane overhead immediately before the mishap, and confirmed that Reeves was not upside down.

Jordan writes extensively about forensic evidence (including from the long-elusive tower tape and accident report), which suggests that instead of making a right turn to avoid the storm (as he had been advised by the Approach Controller to do), Reeves turned left in an attempt to follow Franklin Road to the airport.

In so doing, he flew further into the rain.

While preoccupied with trying to re-establish his ground references, Reeves let his airspeed get too low and stalled the aircraft.

Relying on his instincts more than his training, evidence suggests he applied full power and pulled back on the yoke before leveling his wings—a fatal, but not uncommon, mistake that induced a stall/spin from which he was too low to recover.

Jordan writes that according to the tower tape, Reeves ran into the heavy rain at 4:51 p.m. and crashed only a minute later, at 4:52 p.m.

When the wreckage was found some 42 hours later, it was discovered the airplane's engine and nose were buried in the ground due to the impact of the crash.

The crash site was in a wooded area north-northeast of Brentwood approximately at the junction of Baxter Lane and Franklin Pike Circle, just east of Interstate 65, and southwest of Nashville International Airport where Reeves planned to land.

Coincidentally, both Reeves and Randy Hughes, the pilot of Patsy Cline's ill-fated airplane, were trained by the same instructor.[citation needed]

On the morning of August 2, 1964, after an intense search by several parties (which included several personal friends of Reeves including Ernest Tubb and Marty Robbins) the bodies of the singer and Dean Manuel were found in the wreckage of the aircraft and, at 1:00 p.m. local time, radio stations across the United States began to announce Reeves' death formally.

Thousands of people traveled to pay their last respects at his funeral two days later. The coffin, draped in flowers from fans, was driven through the streets of Nashville and then to Reeves' final resting place near Carthage, Texas.

Legacy

 


Jim Reeves Drive at the Texas Country Music Hall of Fame in Carthage, Texas

Reeves was elected posthumously to the Country Music Hall of Fame during 1967, which honored him by saying, "The velvet style of 'Gentleman Jim Reeves' was an international influence.

His rich voice brought millions of new fans to country music from every corner of the world.

Although the crash of his private airplane took his life, posterity will keep his name alive because they will remember him as one of country music's most important performers."

During 1998, he was inducted into the Texas Country Music Hall of Fame in Carthage, Texas, where the Jim Reeves Memorial is located.
The inscription on the memorial reads,

"If I, a lowly singer, dry one tear, or soothe one humble human heart in pain, then my homely verse to God is dear, and not one stanza has been sung in vain."

Posthumous releases

 

Reeves' records continued to sell well, both earlier as well as new albums, issued after his death. His widow, Mary, combined unreleased tracks with previous releases (placing updated instrumentals alongside Reeves' original vocals) to produce a regular series of "new" albums after her husband's death.

She also operated the Jim Reeves Museum in Nashville from the mid-1970s until 1996.

On the fifteenth anniversary of Jim's death Mary told a country music magazine interviewer, "Jim Reeves my husband is gone; Jim Reeves the artist lives on."[6]

During 1966, Reeves' record "Distant Drums" scored No. 1 on the British singles chart and scored there for five weeks, besting competition from the Beatles' "Yellow Submarine" and "Eleanor Rigby" (a double-sided "A" release), and the Small Faces' song, "All Or Nothing".

The song scored on the UK charts for 45 weeks and scored No. 1 on the US country music chart. Originally, "Distant Drums" had been recorded merely as a "demo" for its composer, Cindy Walker, believing it was for her personal use and had been deemed "unsuitable" for general release by Chet Atkins and RCA Victor.

During 1966, however, RCA determined that there was a market for the song because of the war in Vietnam. It was named Song of the Year in the UK during 1966 and Reeves became the first American artist to receive the accolade. That same year, singer Del Reeves (no relation) recorded an album paying tribute to him.

In 1980, Reeves had another two Top Ten posthumous duet hits along with the late country star Patsy Cline, who featured on Have You Ever Been Lonely? and I Fall to Pieces.

Although the two had never recorded together during their tragically short lives, producers Chet Atkins and Owen Bradley lifted their isolated vocal performances off their original 3-track stereo master session tapes, resynchronized them and re-recorded new digital backing tracks.

Reeves' compilation albums containing well-known standards continue to sell well. The Definitive Collection scored No. 21 in the UK album charts during July 2003, and Memories are Made of This scored No. 35 during July 2004.

Bear Family Records produced a 16-CD boxed set of Reeves' studio recordings and several smaller sets, mainly radio broadcasts and demos.

During 2007, the label released a set entitled Nashville Stars on Tour, including audio and video material of the RCA European tour during April 1964 in which Reeves features prominently.

Since 2003, the US-based VoiceMasters has issued more than 80 previously unreleased Reeves recordings, including new songs as well as newly overdubbed material.

Among them was "I'm a Hit Again", the last song he recorded in his basement studio just a few days before his death.

VoiceMasters overdubbed this track in the same studio in Reeves' former home (now owned by a Nashville record producer).

Reeves' fans repeatedly urged RCA or Bear Family to re-release some of the songs overdubbed during the years after his death which have never appeared on CD.

A compilation CD The Very Best of Jim Reeves scored No. 8 on initial release in the UK album chart during May 2009, to later score its maximum of No. 7 during late June, his first top 10 album in the UK since 1992.

India and Sri Lanka

 

Reeves had many fans in both India and Sri Lanka since the 1960s, and is probably the all-time most popular English language singer in Sri Lanka.

His Christmas carols are especially popular, and music stores continue to carry his CDs or audio cassettes.[citation needed] Two of his songs, "There's a Heartache Following Me" and "Welcome to My World," were favorites of the Indian spiritual teacher Meher Baba.[citation needed]

A follower of Meher Baba, Pete Townshend of the Who, recorded his own version of "Heartache" on his first major solo album Who Came First during 1972.[7]

During Christmas season his versions of "Jingle Bells", Silent Night" or "Mary's Boy Child" are the most sought after songs/albums in Sri Lanka.

Robert Svoboda, in his trilogy on Aghora and the Aghori Vimalananda, mentions that Vimalananda considered Reeves a gandharva, i.e. in Indian tradition, a heavenly musician, who had been born on Earth. He had Svoboda play Reeves' "Take My Hand, Precious Lord" at his cremation.[8][9]

Tributes

 

Tributes to Reeves were composed in British Isles after his death. The song "A Tribute to Jim Reeves" was written by Eddie Masterson and recorded by Larry Cunningham and the Mighty Avons and during January 1965 it scored on the UK Charts and Top Ten in Ireland.

It scored the UK Charts on December 10, 1964 and was there for 11 weeks and sold 250,000 copies. The Dixielanders Show Band also recorded a Tribute to Jim Reeves written by Steve Lynch and recorded during September 1964 and it scored the Northern Ireland Charts during September 1964. The Masterson song was translated later into Dutch and recorded.

In the UK, "We'll Remember You" was written by Geoff Goddard but not released until 2008 on the Now & Then: From Joe Meek To New Zealand double album by Houston Wells.

Jerry Jerry and the Sons of Rhythm Orchestra, a Canadian alternative rock band whose musical style blends elements of surf music, gospel music, rockabilly, garage and punk released the song entitled "Jimmy Reeves" on their 1992 album "Don't Mind If I Do" [10]

Reeves remains a popular artist in Ireland and many Irish singers have recorded tribute albums. A play by author Dermot Devitt, Put Your Sweet Lips, was based on Reeves' appearance in Ireland at the Pavesi Ballroom in Donegal town on June 7, 1963 and reminiscences of people there.

Blind R&B and blues music artist Robert Bradley (of the band Robert Bradley's Blackwater Surprise) paid tribute to Reeves in the album description of his release, Out of the Wilderness.

Bradley is quoted as saying,

"This record brings me back to the time when I started out wanting to be a singer-songwriter, where the music did not need the New York Philharmonic to make it real...I wanted to do a record and just be Robert and sing straight like Jim Reeves on 'Put Your Sweet Lips a Little Closer to the Phone.'"


British comedian Vic Reeves adopted his stage name from Reeves and Vic Damone, two of his favorite singers.

In the United States, Del Reeves (no relation) recorded and released a 1966 album entitled Del Reeves sings Jim Reeves.

Reeves' nephew, John Rex Reeves, appears occasionally on RFD-TV's Midwest Country, singing the songs of his uncle, and other popular country songs.

Source: Wikipedia.org


Somebody Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!

The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!



TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.

Simply click this link and Grow as you Go Come and Play In Traffic With Me and My Team at Traffic Authority!

P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!
P.S.S. Want to Work From Home? O2LifeDrops.com Get your Business Started for FREE Today!