Showing posts with label Grand Ole Opry. Show all posts
Showing posts with label Grand Ole Opry. Show all posts

Saturday, February 13, 2016

Tennessee Ernie Ford & The Jordanaires~ "GREAT GOSPEL SONGS"




The Jordanaires were an American vocal quartet, which formed as a gospel group in 1948.
They are known for providing background vocals for Elvis Presley, in live appearances and recordings from 1956 to 1972.
The group has also worked in the recording studio, on stage, and on television with many other country and rock and roll artists.

The Jordanaires
Elvis Presley and the Jordanaires 1957.jpg
The Jordanaires with Elvis, 1957
Background information
Origin Springfield, Missouri, U.S.
Genres Gospel, country, rock & roll, folk
Years active 1948–2013
Associated acts Foggy River Boys, Elvis Presley, Eddy Arnold, Ricky Nelson
Website jordanaires.net

Past members Ray Walker
Curtis Young
Gordon Stoker
Bill Matthews
Bob Hubbard
Warren (Monty) Matthews
Culley Holt
Hoyt Hawkins
Neal Matthews, Jr.
Don Bruce
Hugh Jarrett
Duane West
Louis Nunley

 

Group history

Early years

The history of the Jordanaires can be traced back to the early 1940s, and the original Foggy River Boys, which were made up of the Matthews brothers, all ordained ministers: Bill (b. LaFollette, Tennessee, 1923), Monty (b. Pulaski, Kentucky, 1927), Jack, and Matt.

In 1948, Matt and Jack left to become full-time preachers and were replaced by Bob Hubbard (b. Chaffee, Missouri, 1928), also a minister, and bass singer Culley Holt (b. McAlester, Oklahoma, 1925), and pianist Bob Money.

After three years Money was replaced as pianist by Gordon Stoker. At that time, they formed the new group as the Melodizing Matthews, in Springfield, Missouri, but soon changed the name to the Jordanaires, after Jordan Creek in Missouri.

This starting lineup lasted until 1949; at that time, Bob Hubbard was drafted and was replaced by Hoyt Hawkins. Later that year, Monty and Bill Matthews left.

Hawkins switched to baritone, and new lead Neal Matthews was recruited. Don Bruce came in as a new first tenor; however, he was drafted the next year.

The group narrowed to a quartet, with Stoker taking over as first tenor. They became members of the Grand Ole Opry in 1949.[1][2]

They recorded for Capitol Records in the early 1950s, and began providing vocal accompaniment behind solo singers in Nashville, Tennessee.[2]

The lineup changed again in 1954, with Cully Holt leaving and new bass Hugh Jarrett coming in.

The quartet became well known in the southern gospel realm, and what made them stand out from other quartets of that time was how they would bring spirituals (such as "Dry Bones") to a predominantly white audience.

While continuing to turn out gospel albums of their own, the group become better known for the signature background harmonies they have provided on dozens of secular records.[3]


Jarrett remained until 1958; at that time, he was replaced by Ray Walker.

With Elvis Presley

One Sunday afternoon in 1955, the Jordanaires played a show in Memphis with Eddy Arnold to publicize their new syndicated TV series, Eddy Arnold Time (for the program the group used the name Gordonaires).

They sang "Peace in the Valley", and when the show was over, Elvis Presley, an emerging singer, talked with them and said, "If I ever get a recording contract with a major company, I want you guys to back me up."[4]

He was on Sun Records at that time.

On January 10, 1956, Presley recorded his first session for RCA with guitarist Scotty Moore, bassist Bill Black, and drummer D. J. Fontana. "I Got a Woman", "Heartbreak Hotel", and "Money Honey" were recorded.

Presley asked his new label RCA Victor if the Jordanaires could appear on the recordings.

The next day Gordon Stoker was called by Chet Atkins to do a session with a new young singer named Elvis.

RCA had also just signed the Speer Family. Atkins asked Stoker to sing with Ben and Brock Speer so he could use them.

The recording session for "I'm Counting on You" and "I Was the One" was the first session Presley did with vocal background.

By April 1956, "Heartbreak Hotel" was No. 1.

After having done several more recording sessions in New York with Moore, Black, and Fontana, Presley flew to Nashville on April 14, 1956, to record "I Want You, I Need You, I Love You".

Stoker was called again, to sing a vocal trio with Ben and Brock Speer.

After the session, Presley took Stoker aside and told him (not knowing, at the time, why all the Jordanaires were not there) that he had wanted the Jordanaires.

This time, Stoker saw to it—and Presley used the quartet on nearly every one of his recording sessions for the next 14 years.

The quartet also appeared in some of Presley's movies, and on many of his television appearances.

As Presley was about to start performing at the Hilton in Las Vegas, the Colonel's office called for the Jordanaires to work with Presley in the shows.

They had 35 recording sessions already booked for the dates he needed, so they could not go.

They got in touch with the Imperials, who had done the How Great Thou Art Elvis Presley album with them, and the Imperials took the place of the Jordanaires.

After Elvis

The lineup consisting of Gordon Stoker, first tenor and manager, Neal Matthews, second tenor and lead, Hoyt Hawkins, baritone, and Ray Walker, bass, would be the group's most stable lineup, lasting throughout the 1960s and 1970s.

In January 1978 the group performed a medley of Presley's songs on the NBC TV special Nashville Remembers Elvis on His Birthday.

The group changed again in 1982, when Hoyt Hawkins died. His replacement was Duane West, formerly of Sonny James' backup group, the Southern Gentlemen.

In 1990, the group provided backing vocals for Presley's former Sun Records labelmate Johnny Cash on his Mercury Records album Boom Chicka Boom.

The lineup remained constant for the rest of the decade, with West leaving due to illness in 1999 (he died June 23, 2002). His replacement was Louis Nunley, formerly of the Anita Kerr Singers.

Neal Matthews died April 21, 2000. He was replaced by new lead Curtis Young.

Hugh Jarrett died at 78 on May 31, 2008 from injuries sustained in an auto accident in March.[5]

Gordon Stoker died at 88 at his Brentwood, Tennessee, home on March 27, 2013 after a long illness.

His son Alan confirmed that the Jordanaires were formally dissolved, per his father's wishes.[6]

Ernest Jennings Ford (February 13, 1919 – October 17, 1991), known professionally as Tennessee Ernie Ford, was an American recording artist and television host who enjoyed success in the country and Western, pop and gospel musical genres. 

Noted for his rich bass-baritone voice and down-home humor, he is remembered for his hit recordings of "The Shotgun Boogie" and "Sixteen Tons".



Tennessee Ernie Ford
Tennessee Ernie Ford 1957.JPG
Background information
Birth name Ernest Jennings Ford
Born February 13, 1919
Bristol, Tennessee, United States
Died October 17, 1991 (aged 72)
Reston, Virginia, United States
Genres Country & Western, Pop, Gospel
Occupation(s) Singer, actor
Instruments Vocals, Guitar, violin

 

 

Biography

Early years

Born in Bristol, Tennessee to Maud Long and Clarence Thomas Ford, Ford began his radio career as an announcer at WOPI-AM in Bristol, Tennessee.

In 1939, the young bass-baritone left the station to study classical singing at the Cincinnati Conservatory of Music in Ohio.

First Lieutenant Ford served in the United States Army Air Corps in World War II as the bombardier on a B-29 Superfortress flying missions over Japan.

After the war, Ford worked at radio stations in San Bernardino and Pasadena, California.

In San Bernardino, Ford was hired as a radio announcer.

He was assigned to host an early morning country music disc jockey program titled Bar Nothin' Ranch Time. To differentiate himself, he created the personality of "Tennessee Ernie," a wild, madcap, exaggerated hillbilly.

He became popular in the area and was soon hired away by Pasadena's KXLA radio.

Ford also did musical tours. The Mayfield Brothers of West Texas, including Smokey Mayfield, Thomas Edd Mayfield, and Herbert Mayfield, were among Ford's warmup bands, having played for him in concerts in Amarillo and Lubbock, during the late 1940s.

At KXLA, Ford continued doing the same show and also joined the cast of Cliffie Stone's popular live KXLA country show Dinner Bell Roundup as a vocalist while still doing the early morning broadcast.

Cliffie Stone, a part-time talent scout for Capitol Records, brought him to the attention of the label.

In 1949, while still doing his morning show, he signed a contract with Capitol. He also became a local TV star as the star of Stone's popular Southern California Hometown Jamboree show.

RadiOzark produced 260 15-minute episodes of The Tennessee Ernie Show on transcription disks for national radio syndication.

He released almost 50 country singles through the early 1950s, several of which made the charts.

Many of his early records, including "The Shotgun Boogie", "Blackberry Boogie," and so on were exciting, driving boogie-woogie records featuring accompaniment by the Hometown Jamboree band which included Jimmy Bryant on lead guitar and pioneer pedal steel guitarist Speedy West.

"I'll Never Be Free," a duet pairing Ford with Capitol Records pop singer Kay Starr,[1] became a huge country and pop crossover hit in 1950.

A duet with Ella Mae Morse, False Hearted Girl was a top seller for the Capitol Country and Hillbilly division,[2] and has been evaluated as an early tune.[3]

Ford eventually ended his KXLA morning show and in the early 1950s, moved on from Hometown Jamboree. He took over from band-leader Kay Kyser as host of the TV version of NBC quiz show Kollege of Musical Knowledge when it returned briefly in 1954 after a four-year hiatus.

He became a household name in the U.S. largely as a result of his hilarious portrayal in 1954 of the 'country bumpkin,' "Cousin Ernie" on three episodes of I Love Lucy.

In 1955, Ford recorded "Davy Crockett, King of the Wild Frontier" (which reached number 4 on the country chart) with "Farewell to the Mountains" on side B.

"Sixteen Tons"


Sixteen Tons album cover
Ford scored an unexpected hit on the pop charts in 1955 with his rendering of "Sixteen Tons", a sparsely arranged coal-miner's lament, that Merle Travis first recorded in 1946 reflecting his own family's experience in the mines of Muhlenberg County, Kentucky.

The song's authorship has been claimed by both Travis and George S. Davis.

Its fatalistic tone contrasted vividly with the sugary pop ballads and rock & roll just starting to dominate the charts at the time:

You load sixteen tons, what do you get?
Another day older and deeper in debt.
Saint Peter, don't you call me, 'cause I can't go;
I owe my soul to the company store...[4]
With Ford's snapping fingers[4] and a unique clarinet-driven pop arrangement by Ford's music director, Jack Fascinato, "Sixteen Tons" spent ten weeks at number one on the country charts and seven weeks at number one on the pop charts.

The record sold over four million copies, and was awarded a gold disc.[5]

It made Ford a crossover star, and became his signature song.

Later years


Ford subsequently helmed his own prime-time variety program, The Ford Show, which ran on NBC television from October 4, 1956, to June 29, 1961.

The show was named not after Ernie, but rather, the sponsor – Ford automobiles. Ford Theatre, an anthology series, had run in the same time slot on NBC in the preceding 1955–1956 season.

Ford's program was notable for the inclusion of a religious song at the end of every show; Ford insisted on this despite objections from network officials who feared it might provoke controversy.

This became the most popular segment of his show. He earned the nickname "The Ol' Pea-Picker" due to his catch-phrase, "Bless your pea-pickin' heart!" He began using the term during his disc jockey days on KXLA.

In 1956 he released Hymns, his first gospel music album, which remained on Billboard's Top Album charts for 277 consecutive weeks; his album Great Gospel Songs won a Grammy Award in 1964.

After the NBC show ended, Ford moved his family to Portola Valley in Northern California.

He also owned a cabin near Grandjean, Idaho on the upper South Fork of the Payette River where he would regularly retreat.

A photo of Ford with country singer Hank Thompson and Dallas nightclub owner Jack Ruby appeared in the 1988 book, The Ruby-Oswald Affair, by Alan Adelson.

From 1962 to 1965, Ford hosted a daytime talk/variety show, The Tennessee Ernie Ford Show (later known as Hello, Peapickers) from KGO-TV in San Francisco, broadcast over the ABC television network.

In 1968, Ford narrated the Rankin/Bass Thanksgiving TV special The Mouse on the Mayflower. The mouse narrator seen at the beginning of the special, William the Churchmouse, was a caricature of Ford.

Ford was the spokesman for the Pontiac Furniture Company in Pontiac, Illinois in the 1970s.

He also became the spokesman for Martha White brand flour in 1972.

Ford's experiences as a navigator and bombardier in World War II led to his involvement with the Confederate Air Force (now the Commemorative Air Force), a war plane preservation group in Texas.

He was a featured announcer and celebrity guest at the annual CAF Airshow in Harlingen, Texas, from 1976 to 1988.

He donated a once-top-secret Norden Bombsight to the CAF's B-29 bomber restoration project. In the late 1970s, as a CAF colonel, Ford recorded the organization's theme song "Ballad of the Ghost Squadron."

Over the years, Ford was awarded three stars on the Hollywood Walk of Fame, for radio, records, and television. He was awarded the Presidential Medal of Freedom in 1984, and was inducted into the Country Music Hall of Fame in 1990.

Offstage, both Ford and wife Betty contended with serious alcohol problems; Betty had had the problem since the 1950s.

Though his drinking worsened in the 60s, he worked continuously, seemingly unaffected by his heavy intake of whiskey.

By the 1970s, however, it had begun to take an increasing toll on his health and ability to sing. After Betty's substance abuse-related death in 1989, Ernie's liver problems, diagnosed years earlier, became more apparent, but he refused to reduce his drinking despite repeated doctors' warnings.[citation needed]

In 1990, he was inducted into the Country Music Hall of Fame.

His last interview was taped in September 1991 by his long-time friend Dinah Shore for her TV show. His physical deterioration by then was quite obvious.

Ford received posthumous recognition for his gospel music contributions by adding him to the Gospel Music Association's Gospel Music Hall of Fame in 1994.

Personal life

 


Ernie and Betty Ford at home in 1962.

Ford was married to Betty Heminger from September 18, 1942, until her death on February 26, 1989; they had two children – Jeffrey Buckner “Buck” Ford (born January 6, 1950) and Brion Leonard Ford (born September 3, 1952 in San Gabriel, California – died October 24, 2008 in White House, Tennessee, of lung cancer at age 56).

Less than four months after Betty's death, Ford, who had long suffered from severe alcoholism, married again. On September 28, 1991, he fell into severe liver failure at Dulles Airport, shortly after leaving a state dinner at the White House hosted by then President George H. W. Bush.

Ford died in H. C. A. Reston Hospital Center, in Reston, Virginia, on October 17 – exactly 36 years after "Sixteen Tons" was released, and one day shy of the first anniversary of his induction into the Country Music Hall of Fame.[6]

Ford was interred at Alta Mesa Memorial Park, Palo Alto, California.[7]

His second wife, Beverly Wood Ford (1921–2001), died ten years after Ernie and her body was interred with her husband's.[8]

Source: Wikipedia.org

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Wednesday, August 5, 2015

Jim Reeves~ "A Beautiful Life"




James Travis "Jim" Reeves (August 20, 1923 – July 31, 1964) was an American country and popular music singer-songwriter.

With records charting from the 1950s to the 1980s, he became well known as a practitioner of the Nashville sound (a mixture of older country-style music with elements of popular music).

Known as "Gentleman Jim", his songs continued to chart for years after his death. Reeves died in the crash of a private airplane. He is a member of both the Country Music and Texas Country Music Halls of Fame.


Jim Reeves
Jim Reeves.jpg
Background information
Birth name James Travis Reeves
Also known as Gentleman Jim
Born August 20, 1923
Galloway, Texas, U.S.
Died July 31, 1964 (aged 40)
Davidson County, Tennessee, U.S.
Genres Country, Nashville sound, Gospel, Blues, Western Swing
Occupation(s) Singer-songwriter, musician
Years active 1948–1964
Labels RCA Victor, Fabor, Macy, Abbott
Associated acts Chet Atkins, Floyd Cramer, Dottie West


Biography

Early life and education

Reeves was born in Galloway, Texas, a small rural community near Carthage. Winning an athletic scholarship to the University of Texas, he enrolled to study speech and drama, but quit after only six weeks to work in the shipyards in Houston.

Soon he resumed baseball, playing in the semi-professional leagues before contracting with the St. Louis Cardinals "farm" team during 1944 as a right-handed pitcher. He played for the minor leagues for three years before severing his sciatic nerve while pitching, which ended his athletic career.[citation needed]

Early career

 

Reeves began to work as a radio announcer, and sang live between songs. During the late 1940s, he was contracted with a couple of small Texas-based recording companies, but without success.

Influenced by such Western swing-music artists as Jimmie Rodgers and Moon Mullican, as well as popular singers Bing Crosby, Eddy Arnold and Frank Sinatra, it was not long before he was a member of Moon Mullican's band, and made some early Mullican-style recordings like "Each Beat of my Heart" and "My Heart's Like a Welcome Mat" from the late 1940s to the early 1950s.


He eventually obtained a job as an announcer for KWKH-AM in Shreveport, Louisiana, then the home of the popular radio program the Louisiana Hayride. According to former Hayride master of ceremonies Frank Page, who had introduced Elvis Presley on the program in 1954,[1] singer Sleepy LaBeef was late for a performance, and Reeves was asked to substitute.

(Other accounts—including that of Reeves himself, in an interview on the RCA Victor album Yours Sincerely—name Hank Williams as the absentee.)

Initial success in the 1950s

 

Reeves' first successful country music songs included "I Love You" (a duet with Ginny Wright), "Mexican Joe", and "Bimbo" which reached Number 1 in 1954 on the U.S. Country Charts, and other songs with both Fabor Records and Abbott Records.

Abbott released his first album in November 1955, Jim Reeves Sings (Abbott 5001), which was the label's only album release.

Earlier in 1955, he was signed to a 10-year recording contract with RCA Victor by Steve Sholes, who produced some of Reeves' first recordings at RCA Victor and signed Elvis Presley for the company that same year. Also in 1955, he joined the Grand Ole Opry[2] and made his first appearance on ABC-TV's Ozark Jubilee, where he was a fill-in host from May–July 1958.

For his earliest RCA Victor recordings, Reeves was still singing with the loud style of his first recordings, considered standard for country and western performers at that time.

He decreased his volume, using a lower pitch and singing with lips nearly touching the microphone, although there were protests at RCA. During 1957, with the endorsement of his producer Chet Atkins, he used this style for his version of a demonstration song of lost love intended for a female singer.

"Four Walls" not only scored No. 1 on the country music charts, but scored No. 11 on the popular music charts. Reeves had helped begin a new style of country music, using violins and lusher background arrangements soon known as the Nashville sound.

Reeves became known as a crooner because of his rich light baritone voice. Songs such as "Adios Amigo", "Welcome to My World", and "Am I Losing You?" demonstrated this. His Christmas songs have been perennial favorites, including "C-H-R-I-S-T-M-A-S", "Blue Christmas" and "An Old Christmas Card".

He is also responsible for popularizing many gospel songs, including "We Thank Thee", "Take My Hand, Precious Lord", "Across The Bridge", "Where We'll Never Grow Old" and many others.

Early 1960s and international fame

 

Reeves scored his greatest success with the Joe Allison composition "He'll Have to Go",[3] a great success on both the popular and country music charts, which earned him a platinum record.

Released during late 1959, it scored number one on Billboard magazine's Hot Country Songs chart on February 8, 1960, which it scored for 14 weeks consecutive. Country music historian Bill Malone noted that while it was in many ways a conventional country song, its arrangement and the vocal chorus "put this recording in the country pop vein".

In addition, Malone lauded Reeves' vocal styling—lowered to "its natural resonant level" to project the "caressing style that became famous"—as why "many people refer to him as the singer with the velvet voice."[4]

In 1963, he released his well proclaimed "Twelve Songs of Christmas" album, which had the well known songs "C.H.R.I.S.T.M.A.S" and "An Old Christmas Card". During 1975, RCA producer Chet Atkins told interviewer Wayne Forsythe, "Jim wanted to be a tenor but I wanted him to be a baritone... I was right, of course. After he changed his voice to that smooth deeper sound, he was immensely popular."[5]

Reeves' international popularity during the 1960s, however, at times surpassed his popularity in the United States, helping to give country music a worldwide market for the first time.

South Africa

 

During the early 1960s, Reeves was more popular in South Africa than Elvis Presley and recorded several albums in the Afrikaans language.

In 1963, he toured and was featured in a South African film, Kimberley Jim. The film was released with a special prologue and epilogue in South African cinemas after Reeves' death, praising him as a true friend of the country.

The film was produced, directed, and written by Emil Nofal.[citation needed]

Reeves was one of an exclusive trio of performers to have released an album there that played at the little-used 16⅔ rpm speed. This unusual format was more suited to the spoken word and was quickly discontinued for music.

The only other artists known to have released such albums in South Africa were Elvis Presley and Slim Whitman.

Britain and Ireland

 

Reeves toured Britain and Ireland during 1963 between his tours of South Africa and Europe. Reeves and the Blue Boys were in Ireland from May 30 to June 19, 1963, with a tour of US military bases from June 10 to 15, when they returned to Ireland.

They performed in most counties in Ireland, though Reeves occasionally abbreviated performances because he was unhappy with the piano. In a June 6, 1963 interview with Spotlight magazine, Reeves expressed his concerns about the tour schedule and the condition of the pianos, but said he was pleased with the audiences.

There was a press reception for him at the Shannon Shamrock Inn organised by Tom Monaghan of Bunratty Castle, County Clare. Show band singers Maisie McDaniel and Dermot O' Brien welcomed him on May 29, 1963.

A photograph appeared in the Limerick Leader on June 1, 1963. Press coverage continued from May until Reeves's arrival with a photograph of the press reception in The Irish Press. Billboard magazine in the US also reported the tour before and after.

The single "Welcome to My World" with the B/W side "Juanita" was released by RCA Victor during June 1963 and bought by the distributors Irish Records Factors Ltd. This scored the record number one while Reeves was there during June.

There were a number of accounts of his dances in the local newspapers and a good account was given in The Kilkenny People of his dance in the Mayfair Ballroom where 1,700 persons were present.

There was a photograph in The Donegal Democrat of Reeves's singing in the Pavesi Ball Room on June 7, 1963, and an account of his non-appearance on stage in The Diamond, Kiltimagh, County Mayo in The Western People representing how the tour went in different areas.

He planned to record an album of popular Irish songs, and had three number one songs in Ireland during 1963 and 1964: "Welcome to My World", "I Love You Because", and "I Won't Forget You".

(The last two are estimated to have sold 860,000 and 750,000 respectively in Britain alone, excluding Ireland.) Reeves had 11 songs in the Irish charts from 1962 to 1967.

He recorded two Irish ballads, "Danny Boy" and "Maureen". "He'll Have to Go" was his most popular song there and was at number one and on the charts for months during 1960.

He was one of the most popular recording artists in Ireland, in the first ten after the Beatles, Elvis and Cliff Richard.

He was permitted to perform in Ireland by the Irish Federation of Musicians on the condition that he share the bill with Irish show bands, becoming popular by 1963.

The British Federation of Musicians would not permit him to perform there because no agreement existed for British show bands to travel to America in exchange for the Blue Boys playing in Britain. Reeves, however, performed for British radio and TV programmes.

Norway

 

Reeves played at the sports arena Njårdhallen, Oslo on April 16, 1964 with Bobby Bare, Chet Atkins, the Blue Boys and the Anita Kerr Singers.

They performed two concerts; the second was televised and recorded by the Norwegian network NRK (Norsk Rikskringkasting, the only one in Norway at the time). The complete concert, however, was not recorded, including some of Reeves' last songs.

There are reports he performed "You're the Only Good Thing (That's Happened to Me)" in this section. The program has been repeated on NRK several times over the years.

His first success in Norway, "He'll Have to Go", scored No. 1 in the Top Ten and scored the chart for 29 weeks. "I Love You Because" was his greatest success in Norway, scoring No. 1 during 1964 and scoring on the list for 39 weeks.

His albums spent 696 weeks in the Norwegian Top 20 chart, making him one of the most popular music artists in the history of Norway.

Last recording session

 

Reeves' last recording session for RCA Victor had produced "Make the World Go Away", "Missing You", and "Is It Really Over?" When the session ended with some time remaining on the schedule, Reeves suggested he record one more song.

He taped "I Can't Stop Loving You", in what was to be his final RCA recording. He made one later recording, however, at the little studio in his home. In late July 1964, just a couple of days before his death, Reeves recorded "I'm a Hit Again", using just an acoustic guitar as accompaniment.

That recording was never released by RCA (because it was a home recording not owned by the label), but appeared during 2003 as part of a collection of previously unissued Reeves songs released on the VoiceMasters label.

Death

 

On July 31, 1964, Reeves and his business partner and manager Dean Manuel (also the pianist of Reeves' backing group, the Blue Boys) left Batesville, Arkansas, en route to Nashville in a single-engine Beechcraft Debonair aircraft, with Reeves at the controls.

The two had secured a deal on some real estate (Reeves had also unsuccessfully tried to buy property from the LaGrone family in Deadwood, Texas, north of his birthplace of Galloway).

While flying over Brentwood, Tennessee, they encountered a violent thunderstorm. A subsequent investigation showed that the small airplane had become caught in the storm and Reeves suffered spatial disorientation.

The singer's widow, Mary Reeves (1929–1999), probably unwittingly started the rumor that he was flying the airplane upside down and assumed he was increasing altitude to clear the storm.

However, according to Larry Jordan, author of the 2011 biography, Jim Reeves: His Untold Story, this scenario is refuted by eyewitnesses known to crash investigators who saw the plane overhead immediately before the mishap, and confirmed that Reeves was not upside down.

Jordan writes extensively about forensic evidence (including from the long-elusive tower tape and accident report), which suggests that instead of making a right turn to avoid the storm (as he had been advised by the Approach Controller to do), Reeves turned left in an attempt to follow Franklin Road to the airport.

In so doing, he flew further into the rain.

While preoccupied with trying to re-establish his ground references, Reeves let his airspeed get too low and stalled the aircraft.

Relying on his instincts more than his training, evidence suggests he applied full power and pulled back on the yoke before leveling his wings—a fatal, but not uncommon, mistake that induced a stall/spin from which he was too low to recover.

Jordan writes that according to the tower tape, Reeves ran into the heavy rain at 4:51 p.m. and crashed only a minute later, at 4:52 p.m.

When the wreckage was found some 42 hours later, it was discovered the airplane's engine and nose were buried in the ground due to the impact of the crash.

The crash site was in a wooded area north-northeast of Brentwood approximately at the junction of Baxter Lane and Franklin Pike Circle, just east of Interstate 65, and southwest of Nashville International Airport where Reeves planned to land.

Coincidentally, both Reeves and Randy Hughes, the pilot of Patsy Cline's ill-fated airplane, were trained by the same instructor.[citation needed]

On the morning of August 2, 1964, after an intense search by several parties (which included several personal friends of Reeves including Ernest Tubb and Marty Robbins) the bodies of the singer and Dean Manuel were found in the wreckage of the aircraft and, at 1:00 p.m. local time, radio stations across the United States began to announce Reeves' death formally.

Thousands of people traveled to pay their last respects at his funeral two days later. The coffin, draped in flowers from fans, was driven through the streets of Nashville and then to Reeves' final resting place near Carthage, Texas.

Legacy

 


Jim Reeves Drive at the Texas Country Music Hall of Fame in Carthage, Texas

Reeves was elected posthumously to the Country Music Hall of Fame during 1967, which honored him by saying, "The velvet style of 'Gentleman Jim Reeves' was an international influence.

His rich voice brought millions of new fans to country music from every corner of the world.

Although the crash of his private airplane took his life, posterity will keep his name alive because they will remember him as one of country music's most important performers."

During 1998, he was inducted into the Texas Country Music Hall of Fame in Carthage, Texas, where the Jim Reeves Memorial is located.
The inscription on the memorial reads,

"If I, a lowly singer, dry one tear, or soothe one humble human heart in pain, then my homely verse to God is dear, and not one stanza has been sung in vain."

Posthumous releases

 

Reeves' records continued to sell well, both earlier as well as new albums, issued after his death. His widow, Mary, combined unreleased tracks with previous releases (placing updated instrumentals alongside Reeves' original vocals) to produce a regular series of "new" albums after her husband's death.

She also operated the Jim Reeves Museum in Nashville from the mid-1970s until 1996.

On the fifteenth anniversary of Jim's death Mary told a country music magazine interviewer, "Jim Reeves my husband is gone; Jim Reeves the artist lives on."[6]

During 1966, Reeves' record "Distant Drums" scored No. 1 on the British singles chart and scored there for five weeks, besting competition from the Beatles' "Yellow Submarine" and "Eleanor Rigby" (a double-sided "A" release), and the Small Faces' song, "All Or Nothing".

The song scored on the UK charts for 45 weeks and scored No. 1 on the US country music chart. Originally, "Distant Drums" had been recorded merely as a "demo" for its composer, Cindy Walker, believing it was for her personal use and had been deemed "unsuitable" for general release by Chet Atkins and RCA Victor.

During 1966, however, RCA determined that there was a market for the song because of the war in Vietnam. It was named Song of the Year in the UK during 1966 and Reeves became the first American artist to receive the accolade. That same year, singer Del Reeves (no relation) recorded an album paying tribute to him.

In 1980, Reeves had another two Top Ten posthumous duet hits along with the late country star Patsy Cline, who featured on Have You Ever Been Lonely? and I Fall to Pieces.

Although the two had never recorded together during their tragically short lives, producers Chet Atkins and Owen Bradley lifted their isolated vocal performances off their original 3-track stereo master session tapes, resynchronized them and re-recorded new digital backing tracks.

Reeves' compilation albums containing well-known standards continue to sell well. The Definitive Collection scored No. 21 in the UK album charts during July 2003, and Memories are Made of This scored No. 35 during July 2004.

Bear Family Records produced a 16-CD boxed set of Reeves' studio recordings and several smaller sets, mainly radio broadcasts and demos.

During 2007, the label released a set entitled Nashville Stars on Tour, including audio and video material of the RCA European tour during April 1964 in which Reeves features prominently.

Since 2003, the US-based VoiceMasters has issued more than 80 previously unreleased Reeves recordings, including new songs as well as newly overdubbed material.

Among them was "I'm a Hit Again", the last song he recorded in his basement studio just a few days before his death.

VoiceMasters overdubbed this track in the same studio in Reeves' former home (now owned by a Nashville record producer).

Reeves' fans repeatedly urged RCA or Bear Family to re-release some of the songs overdubbed during the years after his death which have never appeared on CD.

A compilation CD The Very Best of Jim Reeves scored No. 8 on initial release in the UK album chart during May 2009, to later score its maximum of No. 7 during late June, his first top 10 album in the UK since 1992.

India and Sri Lanka

 

Reeves had many fans in both India and Sri Lanka since the 1960s, and is probably the all-time most popular English language singer in Sri Lanka.

His Christmas carols are especially popular, and music stores continue to carry his CDs or audio cassettes.[citation needed] Two of his songs, "There's a Heartache Following Me" and "Welcome to My World," were favorites of the Indian spiritual teacher Meher Baba.[citation needed]

A follower of Meher Baba, Pete Townshend of the Who, recorded his own version of "Heartache" on his first major solo album Who Came First during 1972.[7]

During Christmas season his versions of "Jingle Bells", Silent Night" or "Mary's Boy Child" are the most sought after songs/albums in Sri Lanka.

Robert Svoboda, in his trilogy on Aghora and the Aghori Vimalananda, mentions that Vimalananda considered Reeves a gandharva, i.e. in Indian tradition, a heavenly musician, who had been born on Earth. He had Svoboda play Reeves' "Take My Hand, Precious Lord" at his cremation.[8][9]

Tributes

 

Tributes to Reeves were composed in British Isles after his death. The song "A Tribute to Jim Reeves" was written by Eddie Masterson and recorded by Larry Cunningham and the Mighty Avons and during January 1965 it scored on the UK Charts and Top Ten in Ireland.

It scored the UK Charts on December 10, 1964 and was there for 11 weeks and sold 250,000 copies. The Dixielanders Show Band also recorded a Tribute to Jim Reeves written by Steve Lynch and recorded during September 1964 and it scored the Northern Ireland Charts during September 1964. The Masterson song was translated later into Dutch and recorded.

In the UK, "We'll Remember You" was written by Geoff Goddard but not released until 2008 on the Now & Then: From Joe Meek To New Zealand double album by Houston Wells.

Jerry Jerry and the Sons of Rhythm Orchestra, a Canadian alternative rock band whose musical style blends elements of surf music, gospel music, rockabilly, garage and punk released the song entitled "Jimmy Reeves" on their 1992 album "Don't Mind If I Do" [10]

Reeves remains a popular artist in Ireland and many Irish singers have recorded tribute albums. A play by author Dermot Devitt, Put Your Sweet Lips, was based on Reeves' appearance in Ireland at the Pavesi Ballroom in Donegal town on June 7, 1963 and reminiscences of people there.

Blind R&B and blues music artist Robert Bradley (of the band Robert Bradley's Blackwater Surprise) paid tribute to Reeves in the album description of his release, Out of the Wilderness.

Bradley is quoted as saying,

"This record brings me back to the time when I started out wanting to be a singer-songwriter, where the music did not need the New York Philharmonic to make it real...I wanted to do a record and just be Robert and sing straight like Jim Reeves on 'Put Your Sweet Lips a Little Closer to the Phone.'"


British comedian Vic Reeves adopted his stage name from Reeves and Vic Damone, two of his favorite singers.

In the United States, Del Reeves (no relation) recorded and released a 1966 album entitled Del Reeves sings Jim Reeves.

Reeves' nephew, John Rex Reeves, appears occasionally on RFD-TV's Midwest Country, singing the songs of his uncle, and other popular country songs.

Source: Wikipedia.org


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Jim Reeves~ "Have Thine Own Way Lord"




James Travis "Jim" Reeves (August 20, 1923 – July 31, 1964) was an American country and popular music singer-songwriter.

With records charting from the 1950s to the 1980s, he became well known as a practitioner of the Nashville sound (a mixture of older country-style music with elements of popular music).

Known as "Gentleman Jim", his songs continued to chart for years after his death.

Reeves died in the crash of a private airplane. He is a member of both the Country Music and Texas Country Music Halls of Fame.


Jim Reeves
Jim Reeves.jpg
Background information
Birth name James Travis Reeves
Also known as Gentleman Jim
Born August 20, 1923
Galloway, Texas, U.S.
Died July 31, 1964 (aged 40)
Davidson County, Tennessee, U.S.
Genres Country, Nashville sound, Gospel, Blues, Western Swing
Occupation(s) Singer-songwriter, musician
Years active 1948–1964
Labels RCA Victor, Fabor, Macy, Abbott
Associated acts Chet Atkins, Floyd Cramer, Dottie West


Biography

Early life and education

 

Reeves was born in Galloway, Texas, a small rural community near Carthage.

Winning an athletic scholarship to the University of Texas, he enrolled to study speech and drama, but quit after only six weeks to work in the shipyards in Houston.

Soon he resumed baseball, playing in the semi-professional leagues before contracting with the St. Louis Cardinals "farm" team during 1944 as a right-handed pitcher.

He played for the minor leagues for three years before severing his sciatic nerve while pitching, which ended his athletic career.[citation needed]

Early career

Reeves began to work as a radio announcer, and sang live between songs. During the late 1940s, he was contracted with a couple of small Texas-based recording companies, but without success.

Influenced by such Western swing-music artists as Jimmie Rodgers and Moon Mullican, as well as popular singers Bing Crosby, Eddy Arnold and Frank Sinatra, it was not long before he was a member of Moon Mullican's band, and made some early Mullican-style recordings like "Each Beat of my Heart" and "My Heart's Like a Welcome Mat" from the late 1940s to the early 1950s.


He eventually obtained a job as an announcer for KWKH-AM in Shreveport, Louisiana, then the home of the popular radio program the Louisiana Hayride.

According to former Hayride master of ceremonies Frank Page, who had introduced Elvis Presley on the program in 1954,[1] singer Sleepy LaBeef was late for a performance, and Reeves was asked to substitute.

(Other accounts—including that of Reeves himself, in an interview on the RCA Victor album Yours Sincerely—name Hank Williams as the absentee.)


Initial success in the 1950s

 

Reeves' first successful country music songs included "I Love You" (a duet with Ginny Wright), "Mexican Joe", and "Bimbo" which reached Number 1 in 1954 on the U.S. Country Charts, and other songs with both Fabor Records and Abbott Records.

Abbott released his first album in November 1955, Jim Reeves Sings (Abbott 5001), which was the label's only album release.

Earlier in 1955, he was signed to a 10-year recording contract with RCA Victor by Steve Sholes, who produced some of Reeves' first recordings at RCA Victor and signed Elvis Presley for the company that same year.

Also in 1955, he joined the Grand Ole Opry[2] and made his first appearance on ABC-TV's Ozark Jubilee, where he was a fill-in host from May–July 1958.

For his earliest RCA Victor recordings, Reeves was still singing with the loud style of his first recordings, considered standard for country and western performers at that time.

He decreased his volume, using a lower pitch and singing with lips nearly touching the microphone, although there were protests at RCA.

During 1957, with the endorsement of his producer Chet Atkins, he used this style for his version of a demonstration song of lost love intended for a female singer.

"Four Walls" not only scored No. 1 on the country music charts, but scored No. 11 on the popular music charts.

Reeves had helped begin a new style of country music, using violins and lusher background arrangements soon known as the Nashville sound.

Reeves became known as a crooner because of his rich light baritone voice. Songs such as "Adios Amigo", "Welcome to My World", and "Am I Losing You?" demonstrated this.

His Christmas songs have been perennial favorites, including "C-H-R-I-S-T-M-A-S", "Blue Christmas" and "An Old Christmas Card".

He is also responsible for popularizing many gospel songs, including "We Thank Thee", "Take My Hand, Precious Lord", "Across The Bridge", "Where We'll Never Grow Old" and many others.

Early 1960s and international fame

Reeves scored his greatest success with the Joe Allison composition "He'll Have to Go",[3] a great success on both the popular and country music charts, which earned him a platinum record.

Released during late 1959, it scored number one on Billboard magazine's Hot Country Songs chart on February 8, 1960, which it scored for 14 weeks consecutive.

 Country music historian Bill Malone noted that while it was in many ways a conventional country song, its arrangement and the vocal chorus "put this recording in the country pop vein".

In addition, Malone lauded Reeves' vocal styling—lowered to "its natural resonant level" to project the "caressing style that became famous"—as why "many people refer to him as the singer with the velvet voice."[4]

In 1963, he released his well proclaimed "Twelve Songs of Christmas" album, which had the well known songs "C.H.R.I.S.T.M.A.S" and "An Old Christmas Card".

During 1975, RCA producer Chet Atkins told interviewer Wayne Forsythe, "Jim wanted to be a tenor but I wanted him to be a baritone... I was right, of course.

After he changed his voice to that smooth deeper sound, he was immensely popular."[5]

Reeves' international popularity during the 1960s, however, at times surpassed his popularity in the United States, helping to give country music a worldwide market for the first time.


South Africa

 

During the early 1960s, Reeves was more popular in South Africa than Elvis Presley and recorded several albums in the Afrikaans language.

In 1963, he toured and was featured in a South African film, Kimberley Jim. The film was released with a special prologue and epilogue in South African cinemas after Reeves' death, praising him as a true friend of the country.

The film was produced, directed, and written by Emil Nofal.[citation needed]

Reeves was one of an exclusive trio of performers to have released an album there that played at the little-used 16⅔ rpm speed.

This unusual format was more suited to the spoken word and was quickly discontinued for music.

The only other artists known to have released such albums in South Africa were Elvis Presley and Slim Whitman.

Britain and Ireland

 

Reeves toured Britain and Ireland during 1963 between his tours of South Africa and Europe. Reeves and the Blue Boys were in Ireland from May 30 to June 19, 1963, with a tour of US military bases from June 10 to 15, when they returned to Ireland.

They performed in most counties in Ireland, though Reeves occasionally abbreviated performances because he was unhappy with the piano.

In a June 6, 1963 interview with Spotlight magazine, Reeves expressed his concerns about the tour schedule and the condition of the pianos, but said he was pleased with the audiences.

There was a press reception for him at the Shannon Shamrock Inn organised by Tom Monaghan of Bunratty Castle, County Clare.

Show band singers Maisie McDaniel and Dermot O' Brien welcomed him on May 29, 1963.

A photograph appeared in the Limerick Leader on June 1, 1963. Press coverage continued from May until Reeves's arrival with a photograph of the press reception in The Irish Press. Billboard magazine in the US also reported the tour before and after.

The single "Welcome to My World" with the B/W side "Juanita" was released by RCA Victor during June 1963 and bought by the distributors Irish Records Factors Ltd.

This scored the record number one while Reeves was there during June.

There were a number of accounts of his dances in the local newspapers and a good account was given in The Kilkenny People of his dance in the Mayfair Ballroom where 1,700 persons were present.

There was a photograph in The Donegal Democrat of Reeves's singing in the Pavesi Ball Room on June 7, 1963, and an account of his non-appearance on stage in The Diamond, Kiltimagh, County Mayo in The Western People representing how the tour went in different areas.

He planned to record an album of popular Irish songs, and had three number one songs in Ireland during 1963 and 1964: "Welcome to My World", "I Love You Because", and "I Won't Forget You".

(The last two are estimated to have sold 860,000 and 750,000 respectively in Britain alone, excluding Ireland.) Reeves had 11 songs in the Irish charts from 1962 to 1967.

He recorded two Irish ballads, "Danny Boy" and "Maureen". "He'll Have to Go" was his most popular song there and was at number one and on the charts for months during 1960.

He was one of the most popular recording artists in Ireland, in the first ten after the Beatles, Elvis and Cliff Richard.

He was permitted to perform in Ireland by the Irish Federation of Musicians on the condition that he share the bill with Irish show bands, becoming popular by 1963.

The British Federation of Musicians would not permit him to perform there because no agreement existed for British show bands to travel to America in exchange for the Blue Boys playing in Britain. Reeves, however, performed for British radio and TV programmes.


Norway

 

Reeves played at the sports arena Njårdhallen, Oslo on April 16, 1964 with Bobby Bare, Chet Atkins, the Blue Boys and the Anita Kerr Singers.

They performed two concerts; the second was televised and recorded by the Norwegian network NRK (Norsk Rikskringkasting, the only one in Norway at the time). The complete concert, however, was not recorded, including some of Reeves' last songs.

There are reports he performed "You're the Only Good Thing (That's Happened to Me)" in this section. The program has been repeated on NRK several times over the years.

His first success in Norway, "He'll Have to Go", scored No. 1 in the Top Ten and scored the chart for 29 weeks. "I Love You Because" was his greatest success in Norway, scoring No. 1 during 1964 and scoring on the list for 39 weeks.

His albums spent 696 weeks in the Norwegian Top 20 chart, making him one of the most popular music artists in the history of Norway.

Last recording session

 

Reeves' last recording session for RCA Victor had produced "Make the World Go Away", "Missing You", and "Is It Really Over?"

When the session ended with some time remaining on the schedule, Reeves suggested he record one more song.

He taped "I Can't Stop Loving You", in what was to be his final RCA recording. He made one later recording, however, at the little studio in his home.

In late July 1964, just a couple of days before his death, Reeves recorded "I'm a Hit Again", using just an acoustic guitar as accompaniment.

That recording was never released by RCA (because it was a home recording not owned by the label), but appeared during 2003 as part of a collection of previously unissued Reeves songs released on the VoiceMasters label.


Death

 

On July 31, 1964, Reeves and his business partner and manager Dean Manuel (also the pianist of Reeves' backing group, the Blue Boys) left Batesville, Arkansas, en route to Nashville in a single-engine Beechcraft Debonair aircraft, with Reeves at the controls.

The two had secured a deal on some real estate (Reeves had also unsuccessfully tried to buy property from the LaGrone family in Deadwood, Texas, north of his birthplace of Galloway).

While flying over Brentwood, Tennessee, they encountered a violent thunderstorm. A subsequent investigation showed that the small airplane had become caught in the storm and Reeves suffered spatial disorientation.

The singer's widow, Mary Reeves (1929–1999), probably unwittingly started the rumor that he was flying the airplane upside down and assumed he was increasing altitude to clear the storm.

However, according to Larry Jordan, author of the 2011 biography, Jim Reeves: His Untold Story, this scenario is refuted by eyewitnesses known to crash investigators who saw the plane overhead immediately before the mishap, and confirmed that Reeves was not upside down.

Jordan writes extensively about forensic evidence (including from the long-elusive tower tape and accident report), which suggests that instead of making a right turn to avoid the storm (as he had been advised by the Approach Controller to do), Reeves turned left in an attempt to follow Franklin Road to the airport.

In so doing, he flew further into the rain.

While preoccupied with trying to re-establish his ground references, Reeves let his airspeed get too low and stalled the aircraft.

Relying on his instincts more than his training, evidence suggests he applied full power and pulled back on the yoke before leveling his wings—a fatal, but not uncommon, mistake that induced a stall/spin from which he was too low to recover.

Jordan writes that according to the tower tape, Reeves ran into the heavy rain at 4:51 p.m. and crashed only a minute later, at 4:52 p.m.

When the wreckage was found some 42 hours later, it was discovered the airplane's engine and nose were buried in the ground due to the impact of the crash.

The crash site was in a wooded area north-northeast of Brentwood approximately at the junction of Baxter Lane and Franklin Pike Circle, just east of Interstate 65, and southwest of Nashville International Airport where Reeves planned to land.

Coincidentally, both Reeves and Randy Hughes, the pilot of Patsy Cline's ill-fated airplane, were trained by the same instructor.[citation needed]

On the morning of August 2, 1964, after an intense search by several parties (which included several personal friends of Reeves including Ernest Tubb and Marty Robbins) the bodies of the singer and Dean Manuel were found in the wreckage of the aircraft and, at 1:00 p.m. local time, radio stations across the United States began to announce Reeves' death formally.

Thousands of people traveled to pay their last respects at his funeral two days later. The coffin, draped in flowers from fans, was driven through the streets of Nashville and then to Reeves' final resting place near Carthage, Texas.

Legacy

 


Jim Reeves Drive at the Texas Country Music Hall of Fame in Carthage, Texas


Reeves was elected posthumously to the Country Music Hall of Fame during 1967, which honored him by saying, "The velvet style of 'Gentleman Jim Reeves' was an international influence.

His rich voice brought millions of new fans to country music from every corner of the world.

Although the crash of his private airplane took his life, posterity will keep his name alive because they will remember him as one of country music's most important performers."

During 1998, he was inducted into the Texas Country Music Hall of Fame in Carthage, Texas, where the Jim Reeves Memorial is located.

The inscription on the memorial reads,

"If I, a lowly singer, dry one tear, or soothe one humble human heart in pain, then my homely verse to God is dear, and not one stanza has been sung in vain."


Posthumous releases

 

Reeves' records continued to sell well, both earlier as well as new albums, issued after his death. His widow, Mary, combined unreleased tracks with previous releases (placing updated instrumentals alongside Reeves' original vocals) to produce a regular series of "new" albums after her husband's death.

She also operated the Jim Reeves Museum in Nashville from the mid-1970s until 1996.

On the fifteenth anniversary of Jim's death Mary told a country music magazine interviewer, "Jim Reeves my husband is gone; Jim Reeves the artist lives on."[6]

During 1966, Reeves' record "Distant Drums" scored No. 1 on the British singles chart and scored there for five weeks, besting competition from the Beatles' "Yellow Submarine" and "Eleanor Rigby" (a double-sided "A" release), and the Small Faces' song, "All Or Nothing".

The song scored on the UK charts for 45 weeks and scored No. 1 on the US country music chart. Originally, "Distant Drums" had been recorded merely as a "demo" for its composer, Cindy Walker, believing it was for her personal use and had been deemed "unsuitable" for general release by Chet Atkins and RCA Victor.

During 1966, however, RCA determined that there was a market for the song because of the war in Vietnam.

It was named Song of the Year in the UK during 1966 and Reeves became the first American artist to receive the accolade.

That same year, singer Del Reeves (no relation) recorded an album paying tribute to him.

In 1980, Reeves had another two Top Ten posthumous duet hits along with the late country star Patsy Cline, who featured on Have You Ever Been Lonely? and I Fall to Pieces.

Although the two had never recorded together during their tragically short lives, producers Chet Atkins and Owen Bradley lifted their isolated vocal performances off their original 3-track stereo master session tapes, resynchronized them and re-recorded new digital backing tracks.

Reeves' compilation albums containing well-known standards continue to sell well. The Definitive Collection scored No. 21 in the UK album charts during July 2003, and Memories are Made of This scored No. 35 during July 2004.

Bear Family Records produced a 16-CD boxed set of Reeves' studio recordings and several smaller sets, mainly radio broadcasts and demos.

During 2007, the label released a set entitled Nashville Stars on Tour, including audio and video material of the RCA European tour during April 1964 in which Reeves features prominently.

Since 2003, the US-based VoiceMasters has issued more than 80 previously unreleased Reeves recordings, including new songs as well as newly overdubbed material.

Among them was "I'm a Hit Again", the last song he recorded in his basement studio just a few days before his death.

VoiceMasters overdubbed this track in the same studio in Reeves' former home (now owned by a Nashville record producer).

Reeves' fans repeatedly urged RCA or Bear Family to re-release some of the songs overdubbed during the years after his death which have never appeared on CD.

A compilation CD The Very Best of Jim Reeves scored No. 8 on initial release in the UK album chart during May 2009, to later score its maximum of No. 7 during late June, his first top 10 album in the UK since 1992.


India and Sri Lanka

 

Reeves had many fans in both India and Sri Lanka since the 1960s, and is probably the all-time most popular English language singer in Sri Lanka.

His Christmas carols are especially popular, and music stores continue to carry his CDs or audio cassettes.[citation needed]

Two of his songs, "There's a Heartache Following Me" and "Welcome to My World," were favorites of the Indian spiritual teacher Meher Baba.[citation needed]

A follower of Meher Baba, Pete Townshend of the Who, recorded his own version of "Heartache" on his first major solo album Who Came First during 1972.[7]

During Christmas season his versions of "Jingle Bells", Silent Night" or "Mary's Boy Child" are the most sought after songs/albums in Sri Lanka.

Robert Svoboda, in his trilogy on Aghora and the Aghori Vimalananda, mentions that Vimalananda considered Reeves a gandharva, i.e. in Indian tradition, a heavenly musician, who had been born on Earth.

He had Svoboda play Reeves' "Take My Hand, Precious Lord" at his cremation.[8][9]


Tributes

 

Tributes to Reeves were composed in British Isles after his death. The song "A Tribute to Jim Reeves" was written by Eddie Masterson and recorded by Larry Cunningham and the Mighty Avons and during January 1965 it scored on the UK Charts and Top Ten in Ireland.

It scored the UK Charts on December 10, 1964 and was there for 11 weeks and sold 250,000 copies. The Dixielanders Show Band also recorded a Tribute to Jim Reeves written by Steve Lynch and recorded during September 1964 and it scored the Northern Ireland Charts during September 1964.

The Masterson song was translated later into Dutch and recorded.

In the UK, "We'll Remember You" was written by Geoff Goddard but not released until 2008 on the Now & Then: From Joe Meek To New Zealand double album by Houston Wells.

Jerry Jerry and the Sons of Rhythm Orchestra, a Canadian alternative rock band whose musical style blends elements of surf music, gospel music, rockabilly, garage and punk released the song entitled "Jimmy Reeves" on their 1992 album "Don't Mind If I Do" [10]

Reeves remains a popular artist in Ireland and many Irish singers have recorded tribute albums. A play by author Dermot Devitt, Put Your Sweet Lips, was based on Reeves' appearance in Ireland at the Pavesi Ballroom in Donegal town on June 7, 1963 and reminiscences of people there.

Blind R&B and blues music artist Robert Bradley (of the band Robert Bradley's Blackwater Surprise) paid tribute to Reeves in the album description of his release, Out of the Wilderness.

Bradley is quoted as saying,

"This record brings me back to the time when I started out wanting to be a singer-songwriter, where the music did not need the New York Philharmonic to make it real...I wanted to do a record and just be Robert and sing straight like Jim Reeves on 'Put Your Sweet Lips a Little Closer to the Phone.'"


British comedian Vic Reeves adopted his stage name from Reeves and Vic Damone, two of his favorite singers.

In the United States, Del Reeves (no relation) recorded and released a 1966 album entitled Del Reeves sings Jim Reeves.

Reeves' nephew, John Rex Reeves, appears occasionally on RFD-TV's Midwest Country, singing the songs of his uncle, and other popular country songs.

Source: Wikipedia.org



Somebody Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!

The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!



TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.

Simply click this link and Grow as you Go Come and Play In Traffic With Me and My Team at Traffic Authority!

P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!