Showing posts with label Folk rock. Show all posts
Showing posts with label Folk rock. Show all posts

Sunday, August 7, 2016

Jim Croce~ "Time In a Bottle"



James Joseph "Jim" Croce (/ˈkri/; January 10, 1943 – September 20, 1973) was an American folk and popular rock singer of the late 1960s and early 1970s.

Between 1966 and 1973, Croce released five studio albums and 11 singles.

His singles "Bad, Bad Leroy Brown" and "Time in a Bottle" both reached No. 1 on the U.S. Billboard Hot 100 chart.

                                                    Jim Croce

Jim-Croce-r01.jpg
Jim Croce in 1972, photographed by Ingrid Croce.
Background information
Birth name James Joseph Croce
Born January 10, 1943
South Philadelphia, Pennsylvania, U.S.
Died September 20, 1973 (aged 30)
Natchitoches, Louisiana, U.S.
Genres Folk, rock, folk rock, soft rock[1]
Occupation(s) Singer-songwriter
Instruments Guitar, vocals[1]
Years active 1966–1973
Labels Capitol/EMI Records, ABC Records, Saja/Atlantic Records
Website www.jimcroce.com

Early life

Croce was born in South Philadelphia, to James Albert Croce and his wife Flora Mary (Babucci) Croce, both Italian Americans.[2]

Croce took a strong interest in music at a young age. At five, he learned to play his first song on the accordion, "Lady of Spain."[citation needed]

Croce attended Upper Darby High School in Upper Darby Township, Pennsylvania.

Graduating in 1960, he studied at Malvern Preparatory School for a year before enrolling at Villanova University, where he majored in psychology and minored in German.[3][4]

He graduated with a bachelor's degree in 1965.

Croce was a member of the Villanova Singers and the Villanova Spires. When the Spires performed off-campus or made recordings, they were known as The Coventry Lads.[5]

Croce was also a student disc jockey at WKVU (which has since become WXVU).[6][7][8]

Career

Early career

Croce did not take music seriously until he studied at Villanova, where he formed bands and performed at fraternity parties, coffee houses, and universities around Philadelphia, playing "anything that the people wanted to hear: blues, rock, a cappella, railroad music ... anything."

Croce's band was chosen for a foreign exchange tour of Africa, the Middle East, and Yugoslavia.

He later said, "We just ate what the people ate, lived in the woods, and played our songs.

Of course they didn't speak English over there but if you mean what you're singing, people understand."

On November 29, 1963 Croce met his future wife Ingrid Jacobson at the Philadelphia Convention Hall during a hootenanny, where he was judging a contest.

Croce released his first album, Facets, in 1966, with 500 copies pressed. The album had been financed with a $500 wedding gift from Croce's parents, who set a condition that the money must be spent to make an album.

They hoped that he would give up music after the album failed, and use his college education to pursue a "respectable" profession.[9]

However, the album proved a success, with every copy sold.

1960s

From the mid-1960s to early 1970s, Croce performed with his wife as a duo.

At first, their performances included songs by artists such as Ian and Sylvia, Gordon Lightfoot, Joan Baez, and Woody Guthrie, but in time they began writing their own music.

During this time, Croce got his first long-term gig at a suburban bar and steak house in Lima, Pennsylvania, called The Riddle Paddock. His set list covered several genres, including blues, country, rock and roll, and folk.

Croce married his wife Ingrid in 1966, and converted to Judaism, as his wife was Jewish.

He and Ingrid were married in a traditional Jewish ceremony.[10]

He enlisted in the Army National Guard that same year to avoid being drafted and deployed to Vietnam, and served on active duty for four months, leaving for duty a week after his honeymoon.[11]

Croce, who was not good with authority, had to go through basic training twice.[12]

He said he would be prepared if "there's ever a war where we have to defend ourselves with mops".

In 1968, the Croces were encouraged by record producer Tommy West to move to New York City.

The couple spent time in the Kingsbridge section of the Bronx and recorded their first album with Capitol Records.

During the next two years, they drove more than 300,000 miles,[13] playing small clubs and concerts on the college concert circuit promoting their album Jim & Ingrid Croce.

Becoming disillusioned by the music business and New York City, they sold all but one guitar to pay the rent and returned to the Pennsylvania countryside, settling in an old farm in Lyndell, where Croce got a job driving trucks and doing construction work to pay the bills while continuing to write songs, often about the characters he would meet at the local bars and truck stops and his experiences at work; these provided the material for such songs as "Big Wheels" and "Workin' at the Car Wash Blues".

1970s

They returned to Philadelphia and Croce decided to be "serious" about becoming a productive member of society. "I'd worked construction crews, and I'd been a welder while I was in college. But I'd rather do other things than get burned."

His determination to be "serious" led to a job at a Philadelphia R&B AM radio station, WHAT, where he translated commercials into "soul". "I'd sell airtime to Bronco's Poolroom and then write the spot: "You wanna be cool, and you wanna shoot pool ... dig it."

In 1970, Croce met classically trained pianist-guitarist and singer-songwriter Maury Muehleisen from Trenton, New Jersey, through producer Joe Salviuolo.

Salviuolo and Croce had been friends when they studied at Villanova University, and Salviuolo had met Muehleisen when he was teaching at Glassboro State College in New Jersey.

Salviuolo brought Croce and Muehleisen together at the production office of Tommy West and Terry Cashman in New York City.

Croce at first backed Muehleisen on guitar, but gradually their roles reversed, with Muehleisen adding lead guitar to Croce's music.

In 1972, Croce signed a three-record contract with ABC Records, releasing two albums, You Don't Mess Around with Jim and Life and Times.

The singles "You Don't Mess Around with Jim", "Operator (That's Not the Way It Feels)", and "Time in a Bottle" (written for his then-unborn son, A. J. Croce[citation needed]) all received airplay.

Croce's biggest single, "Bad, Bad Leroy Brown", reached Number 1 on the American charts in July 1973.

Also that year, the Croces moved to San Diego, California.

Croce began touring the United States with Muehleisen, performing in large coffee houses, on college campuses, and at folk festivals.

However, Croce's financial situation was still bad. The record company had fronted him the money to record his album, and much of what it earned went to pay back the advance.

In February 1973, Croce and Muehleisen traveled to Europe, promoting the album in London, Paris, and Amsterdam, receiving positive reviews.

Croce now began appearing on television, including his national debut on American Bandstand[14] on August 12, 1972, The Tonight Show[15] on August 14, 1972, The Dick Cavett Show on September 20/21 1972, The Helen Reddy Show airing July 19, 1973 and the newly launched The Midnight Special, which he co-hosted airing June 15.

From July 16 through August 4, 1973, Croce and Muehleisen returned to London and performed on The Old Grey Whistle Test.

Croce finished recording the album I Got a Name just one week before his death. While on his tours, Croce grew increasingly homesick, and decided to take a break from music and settle with his wife and infant son when his Life and Times tour ended.[16][17]

In a letter to his wife which arrived after his death, Croce told her he had decided to quit music and stick to writing short stories and movie scripts as a career, and withdraw from public life.[3][18]

Death

On Thursday, September 20, 1973, during Croce's Life and Times tour and the day before his ABC single "I Got a Name" was released, Croce, Muehleisen, and five others died when their chartered Beechcraft E18S crashed into a tree, while taking off from the Natchitoches Regional Airport in Natchitoches, Louisiana.

Others killed in the crash were pilot Robert N. Elliott, comedian George Stevens, manager and booking agent Kenneth D. Cortose, and road manager Dennis Rast.[19][20]

Croce had just completed a concert at Northwestern State University's Prather Coliseum in Natchitoches and was flying to Sherman, Texas, for a concert at Austin College.

The plane crashed an hour after the concert. Jim Croce was 30 years old.

An investigation showed the plane crashed after clipping a pecan tree at the end of the runway.
The pilot had failed to gain sufficient altitude to clear the tree and had not tried to avoid it, even though it was the only tree in the area.

It was dark, but there was a clear sky, calm winds, and over five miles of visibility with haze. The report from the NTSB[21] named the probable cause as the pilot's failure to see the obstruction because of his physical impairment and the fog reducing his vision.

57-year-old Elliott suffered from severe coronary artery disease and had run three miles to the airport from a motel.

He had an ATP Certificate, 14,290 hours total flight time and 2,190 hours in the Beech 18 type.[21]

A later investigation placed the sole blame on pilot error due to his downwind takeoff into a "black hole"—severe darkness limiting use of visual references.[22]

Jim Croce was buried at Haym Salomon Memorial Park in Frazer, Pennsylvania.[23]


Legacy

The album I Got a Name was released on December 1, 1973.[24]

The posthumous release included three hits: "Workin' at the Car Wash Blues", "I'll Have to Say I Love You in a Song", and the title song, which had been used as the theme to the film The Last American Hero which was released two months prior to his death.

The album reached No. 2 and "I'll Have to Say I Love You in a Song" reached No. 9 on the singles chart.

The song "Time in a Bottle" had been featured over the opening and closing credits and during a scene in which Desi Arnaz Jr. is opening the You Don't Mess Around With Jim album in the ABC made-for-television movie She Lives!, which aired on September 12, 1973.[25]

That appearance had generated significant interest in Croce and his music in the week just prior to the plane crash. That, combined with the news of the death of the singer, sparked a renewed interest in Croce's previous albums.

Consequently, three months later, "Time in a Bottle", originally released on Croce's first album the year before, hit number one on December 29, 1973, the third posthumous chart-topping song of the rock era following Otis Redding's "(Sittin' On) The Dock of the Bay" and Janis Joplin's recording of "Me and Bobby McGee".

A greatest hits package entitled Photographs & Memories was released in 1974.

Later posthumous releases have included Home Recordings: Americana, The Faces I've Been, Jim Croce: Classic Hits, Down the Highway, and DVD and CD releases of Croce's television performances, Have You Heard: Jim Croce Live.

In 1990, Croce was inducted into the Songwriters Hall of Fame.[26]

Croces' son Adrian James (born September 28, 1971) is himself a singer-songwriter, musician, and pianist. He owns and operates his own record label, Seedling Records.[27]

On July 3, 2012, Ingrid Croce published a memoir about her husband entitled I Got a Name: The Jim Croce Story.[28]

In 1985, Ingrid Croce opened Croce's Restaurant & Jazz Bar, a project she and Jim had jokingly discussed a decade earlier, in the historic Gaslamp Quarter in downtown San Diego, which she owned and managed until it closed on December 31, 2013.

In December 2013, she opened Croce's Park West on 5th Avenue in the Bankers Hill neighborhood near Balboa Park. She closed this restaurant in January 2016.[29]


Source: Wikipedia.org


Are You Looking To Start your Own On-Line Business? 
If So Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!
The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!


TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.


P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!

Jim Croce~ "Time In a Bottle"



James Joseph "Jim" Croce (/ˈkri/; January 10, 1943 – September 20, 1973) was an American folk and popular rock singer of the late 1960s and early 1970s.

Between 1966 and 1973, Croce released five studio albums and 11 singles.

His singles "Bad, Bad Leroy Brown" and "Time in a Bottle" both reached No. 1 on the U.S. Billboard Hot 100 chart.

Jim Croce

Jim-Croce-r01.jpg
Jim Croce in 1972, photographed by Ingrid Croce.
Background information
Birth name James Joseph Croce
Born January 10, 1943
South Philadelphia, Pennsylvania, U.S.
Died September 20, 1973 (aged 30)
Natchitoches, Louisiana, U.S.
Genres Folk, rock, folk rock, soft rock[1]
Occupation(s) Singer-songwriter
Instruments Guitar, vocals[1]
Years active 1966–1973
Labels Capitol/EMI Records, ABC Records, Saja/Atlantic Records
Website www.jimcroce.com

Early life

Croce was born in South Philadelphia, to James Albert Croce and his wife Flora Mary (Babucci) Croce, both Italian Americans.[2]

Croce took a strong interest in music at a young age. At five, he learned to play his first song on the accordion, "Lady of Spain."[citation needed]

Croce attended Upper Darby High School in Upper Darby Township, Pennsylvania.

Graduating in 1960, he studied at Malvern Preparatory School for a year before enrolling at Villanova University, where he majored in psychology and minored in German.[3][4]

He graduated with a bachelor's degree in 1965.

Croce was a member of the Villanova Singers and the Villanova Spires. When the Spires performed off-campus or made recordings, they were known as The Coventry Lads.[5]

Croce was also a student disc jockey at WKVU (which has since become WXVU).[6][7][8]

Career

Early career

Croce did not take music seriously until he studied at Villanova, where he formed bands and performed at fraternity parties, coffee houses, and universities around Philadelphia, playing "anything that the people wanted to hear: blues, rock, a cappella, railroad music ... anything."

Croce's band was chosen for a foreign exchange tour of Africa, the Middle East, and Yugoslavia.

He later said, "We just ate what the people ate, lived in the woods, and played our songs.

Of course they didn't speak English over there but if you mean what you're singing, people understand."

On November 29, 1963 Croce met his future wife Ingrid Jacobson at the Philadelphia Convention Hall during a hootenanny, where he was judging a contest.

Croce released his first album, Facets, in 1966, with 500 copies pressed. The album had been financed with a $500 wedding gift from Croce's parents, who set a condition that the money must be spent to make an album.

They hoped that he would give up music after the album failed, and use his college education to pursue a "respectable" profession.[9]

However, the album proved a success, with every copy sold.

1960s

From the mid-1960s to early 1970s, Croce performed with his wife as a duo.

At first, their performances included songs by artists such as Ian and Sylvia, Gordon Lightfoot, Joan Baez, and Woody Guthrie, but in time they began writing their own music.

During this time, Croce got his first long-term gig at a suburban bar and steak house in Lima, Pennsylvania, called The Riddle Paddock. His set list covered several genres, including blues, country, rock and roll, and folk.

Croce married his wife Ingrid in 1966, and converted to Judaism, as his wife was Jewish.

He and Ingrid were married in a traditional Jewish ceremony.[10]

He enlisted in the Army National Guard that same year to avoid being drafted and deployed to Vietnam, and served on active duty for four months, leaving for duty a week after his honeymoon.[11]

Croce, who was not good with authority, had to go through basic training twice.[12]

He said he would be prepared if "there's ever a war where we have to defend ourselves with mops".

In 1968, the Croces were encouraged by record producer Tommy West to move to New York City.

The couple spent time in the Kingsbridge section of the Bronx and recorded their first album with Capitol Records.

During the next two years, they drove more than 300,000 miles,[13] playing small clubs and concerts on the college concert circuit promoting their album Jim & Ingrid Croce.

Becoming disillusioned by the music business and New York City, they sold all but one guitar to pay the rent and returned to the Pennsylvania countryside, settling in an old farm in Lyndell, where Croce got a job driving trucks and doing construction work to pay the bills while continuing to write songs, often about the characters he would meet at the local bars and truck stops and his experiences at work; these provided the material for such songs as "Big Wheels" and "Workin' at the Car Wash Blues".

1970s

They returned to Philadelphia and Croce decided to be "serious" about becoming a productive member of society. "I'd worked construction crews, and I'd been a welder while I was in college. But I'd rather do other things than get burned."

His determination to be "serious" led to a job at a Philadelphia R&B AM radio station, WHAT, where he translated commercials into "soul". "I'd sell airtime to Bronco's Poolroom and then write the spot: "You wanna be cool, and you wanna shoot pool ... dig it."

In 1970, Croce met classically trained pianist-guitarist and singer-songwriter Maury Muehleisen from Trenton, New Jersey, through producer Joe Salviuolo. Salviuolo and Croce had been friends when they studied at Villanova University, and Salviuolo had met Muehleisen when he was teaching at Glassboro State College in New Jersey.

Salviuolo brought Croce and Muehleisen together at the production office of Tommy West and Terry Cashman in New York City.

Croce at first backed Muehleisen on guitar, but gradually their roles reversed, with Muehleisen adding lead guitar to Croce's music.

In 1972, Croce signed a three-record contract with ABC Records, releasing two albums, You Don't Mess Around with Jim and Life and Times.

The singles "You Don't Mess Around with Jim", "Operator (That's Not the Way It Feels)", and "Time in a Bottle" (written for his then-unborn son, A. J. Croce[citation needed]) all received airplay.

Croce's biggest single, "Bad, Bad Leroy Brown", reached Number 1 on the American charts in July 1973.

Also that year, the Croces moved to San Diego, California.

Croce began touring the United States with Muehleisen, performing in large coffee houses, on college campuses, and at folk festivals.

However, Croce's financial situation was still bad. The record company had fronted him the money to record his album, and much of what it earned went to pay back the advance.

In February 1973, Croce and Muehleisen traveled to Europe, promoting the album in London, Paris, and Amsterdam, receiving positive reviews. Croce now began appearing on television, including his national debut on American Bandstand[14] on August 12, 1972, The Tonight Show[15] on August 14, 1972, The Dick Cavett Show on September 20/21 1972, The Helen Reddy Show airing July 19, 1973 and the newly launched The Midnight Special, which he co-hosted airing June 15.

From July 16 through August 4, 1973, Croce and Muehleisen returned to London and performed on The Old Grey Whistle Test.

Croce finished recording the album I Got a Name just one week before his death. While on his tours, Croce grew increasingly homesick, and decided to take a break from music and settle with his wife and infant son when his Life and Times tour ended.[16][17]

In a letter to his wife which arrived after his death, Croce told her he had decided to quit music and stick to writing short stories and movie scripts as a career, and withdraw from public life.[3][18]

Death

On Thursday, September 20, 1973, during Croce's Life and Times tour and the day before his ABC single "I Got a Name" was released, Croce, Muehleisen, and five others died when their chartered Beechcraft E18S crashed into a tree, while taking off from the Natchitoches Regional Airport in Natchitoches, Louisiana.

Others killed in the crash were pilot Robert N. Elliott, comedian George Stevens, manager and booking agent Kenneth D. Cortose, and road manager Dennis Rast.[19][20]

Croce had just completed a concert at Northwestern State University's Prather Coliseum in Natchitoches and was flying to Sherman, Texas, for a concert at Austin College.

The plane crashed an hour after the concert. Jim Croce was 30 years old.

An investigation showed the plane crashed after clipping a pecan tree at the end of the runway.
The pilot had failed to gain sufficient altitude to clear the tree and had not tried to avoid it, even though it was the only tree in the area.

It was dark, but there was a clear sky, calm winds, and over five miles of visibility with haze. The report from the NTSB[21] named the probable cause as the pilot's failure to see the obstruction because of his physical impairment and the fog reducing his vision.

57-year-old Elliott suffered from severe coronary artery disease and had run three miles to the airport from a motel.

He had an ATP Certificate, 14,290 hours total flight time and 2,190 hours in the Beech 18 type.[21]

A later investigation placed the sole blame on pilot error due to his downwind takeoff into a "black hole"—severe darkness limiting use of visual references.[22]

Jim Croce was buried at Haym Salomon Memorial Park in Frazer, Pennsylvania.[23]


Legacy

The album I Got a Name was released on December 1, 1973.[24]

The posthumous release included three hits: "Workin' at the Car Wash Blues", "I'll Have to Say I Love You in a Song", and the title song, which had been used as the theme to the film The Last American Hero which was released two months prior to his death.

The album reached No. 2 and "I'll Have to Say I Love You in a Song" reached No. 9 on the singles chart.

The song "Time in a Bottle" had been featured over the opening and closing credits and during a scene in which Desi Arnaz Jr. is opening the You Don't Mess Around With Jim album in the ABC made-for-television movie She Lives!, which aired on September 12, 1973.[25]

That appearance had generated significant interest in Croce and his music in the week just prior to the plane crash. That, combined with the news of the death of the singer, sparked a renewed interest in Croce's previous albums.

Consequently, three months later, "Time in a Bottle", originally released on Croce's first album the year before, hit number one on December 29, 1973, the third posthumous chart-topping song of the rock era following Otis Redding's "(Sittin' On) The Dock of the Bay" and Janis Joplin's recording of "Me and Bobby McGee".

A greatest hits package entitled Photographs & Memories was released in 1974.

Later posthumous releases have included Home Recordings: Americana, The Faces I've Been, Jim Croce: Classic Hits, Down the Highway, and DVD and CD releases of Croce's television performances, Have You Heard: Jim Croce Live.

In 1990, Croce was inducted into the Songwriters Hall of Fame.[26]

Croces' son Adrian James (born September 28, 1971) is himself a singer-songwriter, musician, and pianist. He owns and operates his own record label, Seedling Records.[27]

On July 3, 2012, Ingrid Croce published a memoir about her husband entitled I Got a Name: The Jim Croce Story.[28]

In 1985, Ingrid Croce opened Croce's Restaurant & Jazz Bar, a project she and Jim had jokingly discussed a decade earlier, in the historic Gaslamp Quarter in downtown San Diego, which she owned and managed until it closed on December 31, 2013.

In December 2013, she opened Croce's Park West on 5th Avenue in the Bankers Hill neighborhood near Balboa Park. She closed this restaurant in January 2016.[29]


Source: Wikipedia.org


Are You Looking To Start your Own On-Line Business? 
If So Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!

The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!


TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.


P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!

Saturday, February 13, 2016

Elvis Presley Tribute~ "Hallelujah"




Hallelujah (/ˌhælˈljə/ HAL-ə-LOO-yə) is a transliteration of the Hebrew word הַלְּלוּיָהּ (Modern halleluya, Tiberian halləlûyāh), which is composed of two elements: הַלְּלוּ (second-person imperative masculine plural form of the Hebrew verb hallal: an exhortation to "praise" addressed to several people[1]) and יָהּ (the names of God Jah or Yah).[2][3][4]

Most well-known English versions of the Hebrew Bible translate the Hebrew "Hallelujah" (as at Psalm 150:1) as two Hebrew words, generally rendered as "Praise (ye)" and "the LORD", but the second word is given as "Yah" in the Lexham English Bible and Young's Literal Translation, "Jah" in the New World Translation, "Jehovah" in the American Standard Version, and "Hashem" in the Orthodox Jewish Bible.

Instead of a translation, the transliteration "Hallelujah" is used by JPS Tanakh, International Standard Version, Darby Translation, God's Word Translation, Holman Christian Standard Bible, and The Message, with the spelling "Halleluyah" appearing in the Complete Jewish Bible.

The Greek-influenced form "Alleluia" appears in Wycliffe's Bible, the Knox Version and the New Jerusalem Bible.

In the great song of praise to God for his triumph over the Whore of Babylon[5] in chapter 19 of the New Testament Book of Revelation, the Greek word ἀλληλούϊα (allēluia), a transliteration of the same Hebrew word, appears four times, as an expression of praise rather than an exhortation to praise.[6]

In English translations this is mostly rendered as "Hallelujah",[7] but as "Alleluia" in several translations,[8] while a few have "Praise the Lord",[9] "Praise God",[10] "Praise our God",[11] or "Thanks to our God".[12]

הַלְּלוּיָהּ is found 24 times in the Book of Psalms, and the Greek transliteration ἀλληλούϊα appears in the Septuagint version of these Psalms, in Tobit 13:17 and 3 Maccabees 7:13 and four times in Revelation 19.[6]

The word is used in Judaism as part of the Hallel prayers, and in Christian prayer,[5] where since the earliest times[6] it is used in various ways in liturgies,[13] especially those of the Catholic Church and the Eastern Orthodox Church,[14] both of which use the form "alleluia".

Contents

 

In the Bible

The term is used 24 times in the Hebrew Bible (mainly in the book of Psalms, e.g. 111–117, 145–150, where it starts and concludes a number of Psalms) and four times in Greek transliteration in the Christian Book of Revelation.[5]

In the Hebrew Bible hallelujah is actually a two-word phrase, not one word. The first part, hallelu, is the second-person imperative masculine plural form of the Hebrew verb hallal.[1]

However, "hallelujah" means more than simply "praise Jah" or "praise Yah", as the word hallel in Hebrew means a joyous praise in song, to boast in God.

Hallel could also refer to someone who acts madly or foolishly.[15][16]

The second part, Yah, is a shortened form of YHWH, the name for the Creator.[5]

The name ceased to be pronounced in Second Temple Judaism, by the 3rd century BC due to religious beliefs.[17]

The correct pronunciation is not known, however, it is sometimes rendered by Christians as "Yahweh" or "Jehovah".

The Septuagint translates Yah as Kyrios (the LORD), because of the Jewish custom of replacing the sacred name with "Adonai", meaning "the Lord".

In Psalm 150:6 the Hebrew reads kol han'shamah t'hallel yah;[18] It appears in the Hebrew Bible as הללו-יה and הללו יה. In Psalm 148:1 the Hebrew says "הללו יה hallelu yah".

It then says "hallelu eth-YHWH" as if using "yah" and "YHWH" interchangeably. The word "Yah" appears by itself as a divine name in poetry about 49 times in the Hebrew Bible (including hallelu yah), such as in Psalm 68:4–5 "who rides upon the deserts by his name Yah" and Exodus 15:2 "Yah is my strength and song".

It also often appears at the end of Israelite theophoric names such as Isaiah "yeshayah(u), Yahweh is salvation" and Jeremiah "yirmeyah(u), Yahweh is exalted".[5]

The word hallelujah occurring in the Psalms is therefore a request for a congregation to join in praise toward God. It can be translated as "Praise Yah" or "Praise Jah, you people",[2][13][19]

The Greek transliteration, ἀλληλούϊα (allēlouia) appears in Revelation 19:1–6, the great song of praise to God for his triumph over the Whore of Babylon.[5]

It is this usage that Charles Jennens extracted for the Hallelujah Chorus in Handel's Messiah.

Usage by Jews

The word "hallelujah" is sung as part of the Hallel Psalms (interspersed between Psalms 113–150).[20]

Usage by Christians

For most Christians, "Hallelujah" is considered a joyful word of praise to God, rather than an injunction to praise him.

"The Alleluia" refers to a traditional chant, combining the word with verses from the Psalms or other scripture.

In the Latin Rite of the Catholic Church, and in many older Protestant denominations, the Alleluia, along with the Gloria in excelsis Deo, is not spoken or sung in liturgy during the season of Lent, instead being replaced by a Lenten acclamation, while in Eastern Churches, Alleluia is chanted throughout Lent at the beginning of the Matins service, replacing the Theos Kyrios, which is considered more joyful.

At the Easter service and throughout the Pentecostarion, Christos anesti is used in the place where Hallelujah is chanted in the western rite.

In contemporary worship among many Protestants, expressions of "Hallelujah" and "Praise the Lord" are acceptable spontaneous expressions of joy, thanksgiving and praise towards God, requiring no specific prompting or call or direction from those leading times of praise and singing.[21]

 

 

"Hallelujah" is a song written by Canadian recording artist Leonard Cohen, originally released on his album Various Positions (1984).

Achieving little initial success, the song found greater popular acclaim through a cover by John Cale, which inspired a cover by Jeff Buckley.

Buckley's version is the most enduringly popular and critically acclaimed cover of the song to date.

It is the subject of the book The Holy or the Broken: Leonard Cohen, Jeff Buckley & the Unlikely Ascent of "Hallelujah" (2012) by Alan Light.

In a New York Times review of the book, Janet Maslin praises the book and the song, noting that "Cohen spent years struggling with his song 'Hallelujah.' He wrote perhaps as many as 80 verses before paring the song down."[1]

Following its increased popularity after being featured in the film Shrek (2001),[2][3] many cover versions have been performed by many and various singers, both in recordings and in concert, with over 300 versions known.[4]

The song has been used in film and television soundtracks and televised talent contests.


"Hallelujah"
Single by Leonard Cohen
from the album Various Positions
Released December 1984
Recorded June 1984
Genre
Length 4:36
Label Columbia
Writer(s) Leonard Cohen
Producer(s) John Lissauer
Various Positions track listing
"Night Comes On"
(4)
"Hallelujah"
(5)
"The Captain"
(6)

 

 

Musical composition and lyrical interpretation

"Hallelujah", in its original version, is in 12/8 time, which evokes both waltz and gospel music. Written in the key of C major, the chord progression matches lyrics from the song: "goes like this, the fourth, the fifth, the minor fall, and the major lift": C, F, G, A minor, F.[5]


Cohen wrote around 80 draft verses for "Hallelujah", with one writing session at the Royalton Hotel in New York where he was reduced to sitting on the floor in his underwear, banging his head on the floor.[6] 

His original version, as recorded on his Various Positions album, contains several biblical references, most notably evoking the stories of Samson and traitorous Delilah from the Book of Judges ("she cut your hair") as well as the adulterous King David and Bathsheba ("you saw her bathing on the roof, her beauty in the moonlight overthrew you").[5][7]

Following his original 1984 studio-album version, Cohen performed the original song on his world tour in 1985, but live performances during his 1988 and 1993 tours almost invariably contained a quite different set of lyrics with only the last verse being common to the two versions. 

Numerous singers mix lyrics from both versions, and occasionally make direct lyric changes, such as Rufus Wainwright, a Canadian-American singer, substituting "holy dark" and Allison Crowe, a Canadian singer-songwriter, substituting "Holy Ghost" for Cohen's "holy dove".

Cohen's lyrical poetry and his view that "many different hallelujahs exist" is reflected in wide-ranging covers with very different intents or tones, allowing the song to be "melancholic, fragile, uplifting [or] joyous" depending on the performer:[5] 

The Welsh singer-songwriter John Cale, the first person to record a cover version of the song (in 1991), promoted a message of "soberness and sincerity" in contrast to Cohen's dispassionate tone;[5]

 The cover by Jeff Buckley, an American singer-songwriter, is more sorrowful and was described by Buckley as "a hallelujah to the orgasm";[5][8]

Crowe interpreted the song as a "very sexual" composition that discussed relationships;[5] Wainwright offered a "purifying and almost liturgical" interpretation;[5] 

and Guy Garvey of the British band Elbow made the hallelujah a "stately creature" and incorporated his religious interpretation of the song into his band's recordings.[5]


Cover versions

Since 1991, "Hallelujah" has been performed by a wide variety of singers: over 300, and in various languages.[4]

Statistics from the Recording Industry Association of America (RIAA); the Canadian Recording Industry Association; the Australian Recording Industry Association; and the International Federation of the Phonographic Industry show that, by late 2008, more than five million copies of the song sold in CD format.[citation needed]

It has been the subject of a BBC Radio documentary and been in the soundtracks of numerous films and television programs.[14]

Different interpretations of the song may include different verses, out of the over 80 verses Cohen originally wrote.[15]

In an April 2009 CBC Radio interview, Cohen said that he finds the number of covers of his song "ironic and amusing" given that when he first wrote it, his record company wouldn't put it out.

However, he now thinks the song could benefit from a break in exposure: "I was just reading a review of a movie called Watchmen that uses it and the reviewer said – 'Can we please have a moratorium on "Hallelujah" in movies and television shows?'

And I kind of feel the same way...I think it's a good song, but I think too many people sing it."[16][17]

In early 2012, during interviews advancing his latest album, Old Ideas, and more touring, Cohen says that he's not tired of the song being covered: "There's been a couple of times when other people have said can we have a moratorium please on 'Hallelujah'?

Must we have it at the end of every single drama and every single Idol?

And once or twice I've felt maybe I should lend my voice to silencing it but on second thought no, I'm very happy that it's being sung."[18]

John Cale

John Cale's cover first appeared on I'm Your Fan (1991), a Leonard Cohen tribute album, and later on his live album Fragments of a Rainy Season (1992).

Cale's version has vocals, piano, and lyrics that Cohen had only performed live. Cale had watched Cohen perform the song and asked Cohen to send him the lyrics.[19]

Cohen then faxed Cale fifteen pages of lyrics. Cale claims that he "went through and just picked out the cheeky verses."[15]

Cale's version forms the basis of most subsequent performances, including Cohen's performances during his 2008–2009 world tour.

It was the version used in the film Shrek (2001) (although it is Rufus Wainwright's version that appears on the soundtrack album).[5][19]

It also appears on the first soundtrack album for the TV series Scrubs.[20][21]

Jeff Buckley

"Hallelujah"
Single by Jeff Buckley
from the album Grace
Released 2007
Recorded Late 1993–94, at Bearsville Studios, Bearsville, New York
Genre
Length 6:53
Label Columbia
Writer(s) Leonard Cohen
Producer(s)
Jeff Buckley singles chronology
"Forget Her"
(2004)
"Hallelujah"
(2007)

Grace track listing
"So Real"
(5)
"Hallelujah"
(6)
"Lover, You Should've Come Over"
(7)
Jeff Buckley, inspired by Cale's earlier cover, recorded one of the most acclaimed versions of "Hallelujah" for his only complete album, Grace, in 1994.

Later, in 2007 it was released as single.


 

Critical reception

In 2004, Buckley's version was ranked number 259 on Rolling Stone's "The 500 Greatest Songs of All Time".[8]

The same year Time called Buckley's version "exquisitely sung," observing "Cohen murmured the original like a dirge, but ... Buckley treated the ... song like a tiny capsule of humanity, using his voice to careen between glory and sadness, beauty and pain... It's one of the great songs."[22]

In September 2007, a poll of fifty songwriters conducted by the magazine Q listed "Hallelujah" among the all-time "Top 10 Greatest Tracks" with John Legend calling Buckley's version "as near perfect as you can get.

The lyrics to 'Hallelujah' are just incredible and the melody's gorgeous and then there's Jeff's interpretation of it. It's one of the most beautiful pieces of recorded music I’ve ever heard."[23]

In July 2009, the Buckley track was ranked number three on the 2009 Triple J Hottest 100 of All Time, a listener poll held every decade by the Australian radio station Triple J."[24]

On April 2, 2014 it was announced that Buckley's version of the song will be inducted into the Library of Congress's National Recording Registry.[25]

Commercial performance

Buckley's version was not an instant hit, nor did Buckley live to see the full measure of the reception his recording would ultimately have; he died in 1997.

The album on which it appeared did not go Gold in the U.S. until 2002, nine years after its release.

In fact, like Cohen's original, the Buckley version was not released as a single, until much later, and it didn't chart until 2006, posthumously for Buckley.

In March of that year, Buckley had his first national Top 10 bestseller when "Hallelujah" was number seven in Norway.

In 2007 it made the top 3 on the Swedish charts. In March 2008 it topped Billboard's Hot Digital Songs in the U.S. after a performance of the song by Jason Castro in the seventh season of American Idol.[26][27][28]

The sudden resurgence of interest provided both Gold and Platinum status, the RIAA certifying the digital track on 22 April 2008.[29]

It has sold 1,144,000 digital copies in the US as of May 2010.[30] It also hit number one in France in March 2008.

 Source: Wikipedia.org



Somebody Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!


The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!


TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man


Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.



Everybody Wants Traffic! They All Need Eyes Upon their sites and offerings. Get That Here!

P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!
P.S.S. Want to Work From Home? O2LifeDrops.com Get your Business Started for FREE Today!