Showing posts with label folk. Show all posts
Showing posts with label folk. Show all posts

Sunday, August 7, 2016

Jim Croce~ "Time In a Bottle"



James Joseph "Jim" Croce (/ˈkri/; January 10, 1943 – September 20, 1973) was an American folk and popular rock singer of the late 1960s and early 1970s.

Between 1966 and 1973, Croce released five studio albums and 11 singles.

His singles "Bad, Bad Leroy Brown" and "Time in a Bottle" both reached No. 1 on the U.S. Billboard Hot 100 chart.

                                                    Jim Croce

Jim-Croce-r01.jpg
Jim Croce in 1972, photographed by Ingrid Croce.
Background information
Birth name James Joseph Croce
Born January 10, 1943
South Philadelphia, Pennsylvania, U.S.
Died September 20, 1973 (aged 30)
Natchitoches, Louisiana, U.S.
Genres Folk, rock, folk rock, soft rock[1]
Occupation(s) Singer-songwriter
Instruments Guitar, vocals[1]
Years active 1966–1973
Labels Capitol/EMI Records, ABC Records, Saja/Atlantic Records
Website www.jimcroce.com

Early life

Croce was born in South Philadelphia, to James Albert Croce and his wife Flora Mary (Babucci) Croce, both Italian Americans.[2]

Croce took a strong interest in music at a young age. At five, he learned to play his first song on the accordion, "Lady of Spain."[citation needed]

Croce attended Upper Darby High School in Upper Darby Township, Pennsylvania.

Graduating in 1960, he studied at Malvern Preparatory School for a year before enrolling at Villanova University, where he majored in psychology and minored in German.[3][4]

He graduated with a bachelor's degree in 1965.

Croce was a member of the Villanova Singers and the Villanova Spires. When the Spires performed off-campus or made recordings, they were known as The Coventry Lads.[5]

Croce was also a student disc jockey at WKVU (which has since become WXVU).[6][7][8]

Career

Early career

Croce did not take music seriously until he studied at Villanova, where he formed bands and performed at fraternity parties, coffee houses, and universities around Philadelphia, playing "anything that the people wanted to hear: blues, rock, a cappella, railroad music ... anything."

Croce's band was chosen for a foreign exchange tour of Africa, the Middle East, and Yugoslavia.

He later said, "We just ate what the people ate, lived in the woods, and played our songs.

Of course they didn't speak English over there but if you mean what you're singing, people understand."

On November 29, 1963 Croce met his future wife Ingrid Jacobson at the Philadelphia Convention Hall during a hootenanny, where he was judging a contest.

Croce released his first album, Facets, in 1966, with 500 copies pressed. The album had been financed with a $500 wedding gift from Croce's parents, who set a condition that the money must be spent to make an album.

They hoped that he would give up music after the album failed, and use his college education to pursue a "respectable" profession.[9]

However, the album proved a success, with every copy sold.

1960s

From the mid-1960s to early 1970s, Croce performed with his wife as a duo.

At first, their performances included songs by artists such as Ian and Sylvia, Gordon Lightfoot, Joan Baez, and Woody Guthrie, but in time they began writing their own music.

During this time, Croce got his first long-term gig at a suburban bar and steak house in Lima, Pennsylvania, called The Riddle Paddock. His set list covered several genres, including blues, country, rock and roll, and folk.

Croce married his wife Ingrid in 1966, and converted to Judaism, as his wife was Jewish.

He and Ingrid were married in a traditional Jewish ceremony.[10]

He enlisted in the Army National Guard that same year to avoid being drafted and deployed to Vietnam, and served on active duty for four months, leaving for duty a week after his honeymoon.[11]

Croce, who was not good with authority, had to go through basic training twice.[12]

He said he would be prepared if "there's ever a war where we have to defend ourselves with mops".

In 1968, the Croces were encouraged by record producer Tommy West to move to New York City.

The couple spent time in the Kingsbridge section of the Bronx and recorded their first album with Capitol Records.

During the next two years, they drove more than 300,000 miles,[13] playing small clubs and concerts on the college concert circuit promoting their album Jim & Ingrid Croce.

Becoming disillusioned by the music business and New York City, they sold all but one guitar to pay the rent and returned to the Pennsylvania countryside, settling in an old farm in Lyndell, where Croce got a job driving trucks and doing construction work to pay the bills while continuing to write songs, often about the characters he would meet at the local bars and truck stops and his experiences at work; these provided the material for such songs as "Big Wheels" and "Workin' at the Car Wash Blues".

1970s

They returned to Philadelphia and Croce decided to be "serious" about becoming a productive member of society. "I'd worked construction crews, and I'd been a welder while I was in college. But I'd rather do other things than get burned."

His determination to be "serious" led to a job at a Philadelphia R&B AM radio station, WHAT, where he translated commercials into "soul". "I'd sell airtime to Bronco's Poolroom and then write the spot: "You wanna be cool, and you wanna shoot pool ... dig it."

In 1970, Croce met classically trained pianist-guitarist and singer-songwriter Maury Muehleisen from Trenton, New Jersey, through producer Joe Salviuolo.

Salviuolo and Croce had been friends when they studied at Villanova University, and Salviuolo had met Muehleisen when he was teaching at Glassboro State College in New Jersey.

Salviuolo brought Croce and Muehleisen together at the production office of Tommy West and Terry Cashman in New York City.

Croce at first backed Muehleisen on guitar, but gradually their roles reversed, with Muehleisen adding lead guitar to Croce's music.

In 1972, Croce signed a three-record contract with ABC Records, releasing two albums, You Don't Mess Around with Jim and Life and Times.

The singles "You Don't Mess Around with Jim", "Operator (That's Not the Way It Feels)", and "Time in a Bottle" (written for his then-unborn son, A. J. Croce[citation needed]) all received airplay.

Croce's biggest single, "Bad, Bad Leroy Brown", reached Number 1 on the American charts in July 1973.

Also that year, the Croces moved to San Diego, California.

Croce began touring the United States with Muehleisen, performing in large coffee houses, on college campuses, and at folk festivals.

However, Croce's financial situation was still bad. The record company had fronted him the money to record his album, and much of what it earned went to pay back the advance.

In February 1973, Croce and Muehleisen traveled to Europe, promoting the album in London, Paris, and Amsterdam, receiving positive reviews.

Croce now began appearing on television, including his national debut on American Bandstand[14] on August 12, 1972, The Tonight Show[15] on August 14, 1972, The Dick Cavett Show on September 20/21 1972, The Helen Reddy Show airing July 19, 1973 and the newly launched The Midnight Special, which he co-hosted airing June 15.

From July 16 through August 4, 1973, Croce and Muehleisen returned to London and performed on The Old Grey Whistle Test.

Croce finished recording the album I Got a Name just one week before his death. While on his tours, Croce grew increasingly homesick, and decided to take a break from music and settle with his wife and infant son when his Life and Times tour ended.[16][17]

In a letter to his wife which arrived after his death, Croce told her he had decided to quit music and stick to writing short stories and movie scripts as a career, and withdraw from public life.[3][18]

Death

On Thursday, September 20, 1973, during Croce's Life and Times tour and the day before his ABC single "I Got a Name" was released, Croce, Muehleisen, and five others died when their chartered Beechcraft E18S crashed into a tree, while taking off from the Natchitoches Regional Airport in Natchitoches, Louisiana.

Others killed in the crash were pilot Robert N. Elliott, comedian George Stevens, manager and booking agent Kenneth D. Cortose, and road manager Dennis Rast.[19][20]

Croce had just completed a concert at Northwestern State University's Prather Coliseum in Natchitoches and was flying to Sherman, Texas, for a concert at Austin College.

The plane crashed an hour after the concert. Jim Croce was 30 years old.

An investigation showed the plane crashed after clipping a pecan tree at the end of the runway.
The pilot had failed to gain sufficient altitude to clear the tree and had not tried to avoid it, even though it was the only tree in the area.

It was dark, but there was a clear sky, calm winds, and over five miles of visibility with haze. The report from the NTSB[21] named the probable cause as the pilot's failure to see the obstruction because of his physical impairment and the fog reducing his vision.

57-year-old Elliott suffered from severe coronary artery disease and had run three miles to the airport from a motel.

He had an ATP Certificate, 14,290 hours total flight time and 2,190 hours in the Beech 18 type.[21]

A later investigation placed the sole blame on pilot error due to his downwind takeoff into a "black hole"—severe darkness limiting use of visual references.[22]

Jim Croce was buried at Haym Salomon Memorial Park in Frazer, Pennsylvania.[23]


Legacy

The album I Got a Name was released on December 1, 1973.[24]

The posthumous release included three hits: "Workin' at the Car Wash Blues", "I'll Have to Say I Love You in a Song", and the title song, which had been used as the theme to the film The Last American Hero which was released two months prior to his death.

The album reached No. 2 and "I'll Have to Say I Love You in a Song" reached No. 9 on the singles chart.

The song "Time in a Bottle" had been featured over the opening and closing credits and during a scene in which Desi Arnaz Jr. is opening the You Don't Mess Around With Jim album in the ABC made-for-television movie She Lives!, which aired on September 12, 1973.[25]

That appearance had generated significant interest in Croce and his music in the week just prior to the plane crash. That, combined with the news of the death of the singer, sparked a renewed interest in Croce's previous albums.

Consequently, three months later, "Time in a Bottle", originally released on Croce's first album the year before, hit number one on December 29, 1973, the third posthumous chart-topping song of the rock era following Otis Redding's "(Sittin' On) The Dock of the Bay" and Janis Joplin's recording of "Me and Bobby McGee".

A greatest hits package entitled Photographs & Memories was released in 1974.

Later posthumous releases have included Home Recordings: Americana, The Faces I've Been, Jim Croce: Classic Hits, Down the Highway, and DVD and CD releases of Croce's television performances, Have You Heard: Jim Croce Live.

In 1990, Croce was inducted into the Songwriters Hall of Fame.[26]

Croces' son Adrian James (born September 28, 1971) is himself a singer-songwriter, musician, and pianist. He owns and operates his own record label, Seedling Records.[27]

On July 3, 2012, Ingrid Croce published a memoir about her husband entitled I Got a Name: The Jim Croce Story.[28]

In 1985, Ingrid Croce opened Croce's Restaurant & Jazz Bar, a project she and Jim had jokingly discussed a decade earlier, in the historic Gaslamp Quarter in downtown San Diego, which she owned and managed until it closed on December 31, 2013.

In December 2013, she opened Croce's Park West on 5th Avenue in the Bankers Hill neighborhood near Balboa Park. She closed this restaurant in January 2016.[29]


Source: Wikipedia.org


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Jim Croce~ "Time In a Bottle"



James Joseph "Jim" Croce (/ˈkri/; January 10, 1943 – September 20, 1973) was an American folk and popular rock singer of the late 1960s and early 1970s.

Between 1966 and 1973, Croce released five studio albums and 11 singles.

His singles "Bad, Bad Leroy Brown" and "Time in a Bottle" both reached No. 1 on the U.S. Billboard Hot 100 chart.

Jim Croce

Jim-Croce-r01.jpg
Jim Croce in 1972, photographed by Ingrid Croce.
Background information
Birth name James Joseph Croce
Born January 10, 1943
South Philadelphia, Pennsylvania, U.S.
Died September 20, 1973 (aged 30)
Natchitoches, Louisiana, U.S.
Genres Folk, rock, folk rock, soft rock[1]
Occupation(s) Singer-songwriter
Instruments Guitar, vocals[1]
Years active 1966–1973
Labels Capitol/EMI Records, ABC Records, Saja/Atlantic Records
Website www.jimcroce.com

Early life

Croce was born in South Philadelphia, to James Albert Croce and his wife Flora Mary (Babucci) Croce, both Italian Americans.[2]

Croce took a strong interest in music at a young age. At five, he learned to play his first song on the accordion, "Lady of Spain."[citation needed]

Croce attended Upper Darby High School in Upper Darby Township, Pennsylvania.

Graduating in 1960, he studied at Malvern Preparatory School for a year before enrolling at Villanova University, where he majored in psychology and minored in German.[3][4]

He graduated with a bachelor's degree in 1965.

Croce was a member of the Villanova Singers and the Villanova Spires. When the Spires performed off-campus or made recordings, they were known as The Coventry Lads.[5]

Croce was also a student disc jockey at WKVU (which has since become WXVU).[6][7][8]

Career

Early career

Croce did not take music seriously until he studied at Villanova, where he formed bands and performed at fraternity parties, coffee houses, and universities around Philadelphia, playing "anything that the people wanted to hear: blues, rock, a cappella, railroad music ... anything."

Croce's band was chosen for a foreign exchange tour of Africa, the Middle East, and Yugoslavia.

He later said, "We just ate what the people ate, lived in the woods, and played our songs.

Of course they didn't speak English over there but if you mean what you're singing, people understand."

On November 29, 1963 Croce met his future wife Ingrid Jacobson at the Philadelphia Convention Hall during a hootenanny, where he was judging a contest.

Croce released his first album, Facets, in 1966, with 500 copies pressed. The album had been financed with a $500 wedding gift from Croce's parents, who set a condition that the money must be spent to make an album.

They hoped that he would give up music after the album failed, and use his college education to pursue a "respectable" profession.[9]

However, the album proved a success, with every copy sold.

1960s

From the mid-1960s to early 1970s, Croce performed with his wife as a duo.

At first, their performances included songs by artists such as Ian and Sylvia, Gordon Lightfoot, Joan Baez, and Woody Guthrie, but in time they began writing their own music.

During this time, Croce got his first long-term gig at a suburban bar and steak house in Lima, Pennsylvania, called The Riddle Paddock. His set list covered several genres, including blues, country, rock and roll, and folk.

Croce married his wife Ingrid in 1966, and converted to Judaism, as his wife was Jewish.

He and Ingrid were married in a traditional Jewish ceremony.[10]

He enlisted in the Army National Guard that same year to avoid being drafted and deployed to Vietnam, and served on active duty for four months, leaving for duty a week after his honeymoon.[11]

Croce, who was not good with authority, had to go through basic training twice.[12]

He said he would be prepared if "there's ever a war where we have to defend ourselves with mops".

In 1968, the Croces were encouraged by record producer Tommy West to move to New York City.

The couple spent time in the Kingsbridge section of the Bronx and recorded their first album with Capitol Records.

During the next two years, they drove more than 300,000 miles,[13] playing small clubs and concerts on the college concert circuit promoting their album Jim & Ingrid Croce.

Becoming disillusioned by the music business and New York City, they sold all but one guitar to pay the rent and returned to the Pennsylvania countryside, settling in an old farm in Lyndell, where Croce got a job driving trucks and doing construction work to pay the bills while continuing to write songs, often about the characters he would meet at the local bars and truck stops and his experiences at work; these provided the material for such songs as "Big Wheels" and "Workin' at the Car Wash Blues".

1970s

They returned to Philadelphia and Croce decided to be "serious" about becoming a productive member of society. "I'd worked construction crews, and I'd been a welder while I was in college. But I'd rather do other things than get burned."

His determination to be "serious" led to a job at a Philadelphia R&B AM radio station, WHAT, where he translated commercials into "soul". "I'd sell airtime to Bronco's Poolroom and then write the spot: "You wanna be cool, and you wanna shoot pool ... dig it."

In 1970, Croce met classically trained pianist-guitarist and singer-songwriter Maury Muehleisen from Trenton, New Jersey, through producer Joe Salviuolo. Salviuolo and Croce had been friends when they studied at Villanova University, and Salviuolo had met Muehleisen when he was teaching at Glassboro State College in New Jersey.

Salviuolo brought Croce and Muehleisen together at the production office of Tommy West and Terry Cashman in New York City.

Croce at first backed Muehleisen on guitar, but gradually their roles reversed, with Muehleisen adding lead guitar to Croce's music.

In 1972, Croce signed a three-record contract with ABC Records, releasing two albums, You Don't Mess Around with Jim and Life and Times.

The singles "You Don't Mess Around with Jim", "Operator (That's Not the Way It Feels)", and "Time in a Bottle" (written for his then-unborn son, A. J. Croce[citation needed]) all received airplay.

Croce's biggest single, "Bad, Bad Leroy Brown", reached Number 1 on the American charts in July 1973.

Also that year, the Croces moved to San Diego, California.

Croce began touring the United States with Muehleisen, performing in large coffee houses, on college campuses, and at folk festivals.

However, Croce's financial situation was still bad. The record company had fronted him the money to record his album, and much of what it earned went to pay back the advance.

In February 1973, Croce and Muehleisen traveled to Europe, promoting the album in London, Paris, and Amsterdam, receiving positive reviews. Croce now began appearing on television, including his national debut on American Bandstand[14] on August 12, 1972, The Tonight Show[15] on August 14, 1972, The Dick Cavett Show on September 20/21 1972, The Helen Reddy Show airing July 19, 1973 and the newly launched The Midnight Special, which he co-hosted airing June 15.

From July 16 through August 4, 1973, Croce and Muehleisen returned to London and performed on The Old Grey Whistle Test.

Croce finished recording the album I Got a Name just one week before his death. While on his tours, Croce grew increasingly homesick, and decided to take a break from music and settle with his wife and infant son when his Life and Times tour ended.[16][17]

In a letter to his wife which arrived after his death, Croce told her he had decided to quit music and stick to writing short stories and movie scripts as a career, and withdraw from public life.[3][18]

Death

On Thursday, September 20, 1973, during Croce's Life and Times tour and the day before his ABC single "I Got a Name" was released, Croce, Muehleisen, and five others died when their chartered Beechcraft E18S crashed into a tree, while taking off from the Natchitoches Regional Airport in Natchitoches, Louisiana.

Others killed in the crash were pilot Robert N. Elliott, comedian George Stevens, manager and booking agent Kenneth D. Cortose, and road manager Dennis Rast.[19][20]

Croce had just completed a concert at Northwestern State University's Prather Coliseum in Natchitoches and was flying to Sherman, Texas, for a concert at Austin College.

The plane crashed an hour after the concert. Jim Croce was 30 years old.

An investigation showed the plane crashed after clipping a pecan tree at the end of the runway.
The pilot had failed to gain sufficient altitude to clear the tree and had not tried to avoid it, even though it was the only tree in the area.

It was dark, but there was a clear sky, calm winds, and over five miles of visibility with haze. The report from the NTSB[21] named the probable cause as the pilot's failure to see the obstruction because of his physical impairment and the fog reducing his vision.

57-year-old Elliott suffered from severe coronary artery disease and had run three miles to the airport from a motel.

He had an ATP Certificate, 14,290 hours total flight time and 2,190 hours in the Beech 18 type.[21]

A later investigation placed the sole blame on pilot error due to his downwind takeoff into a "black hole"—severe darkness limiting use of visual references.[22]

Jim Croce was buried at Haym Salomon Memorial Park in Frazer, Pennsylvania.[23]


Legacy

The album I Got a Name was released on December 1, 1973.[24]

The posthumous release included three hits: "Workin' at the Car Wash Blues", "I'll Have to Say I Love You in a Song", and the title song, which had been used as the theme to the film The Last American Hero which was released two months prior to his death.

The album reached No. 2 and "I'll Have to Say I Love You in a Song" reached No. 9 on the singles chart.

The song "Time in a Bottle" had been featured over the opening and closing credits and during a scene in which Desi Arnaz Jr. is opening the You Don't Mess Around With Jim album in the ABC made-for-television movie She Lives!, which aired on September 12, 1973.[25]

That appearance had generated significant interest in Croce and his music in the week just prior to the plane crash. That, combined with the news of the death of the singer, sparked a renewed interest in Croce's previous albums.

Consequently, three months later, "Time in a Bottle", originally released on Croce's first album the year before, hit number one on December 29, 1973, the third posthumous chart-topping song of the rock era following Otis Redding's "(Sittin' On) The Dock of the Bay" and Janis Joplin's recording of "Me and Bobby McGee".

A greatest hits package entitled Photographs & Memories was released in 1974.

Later posthumous releases have included Home Recordings: Americana, The Faces I've Been, Jim Croce: Classic Hits, Down the Highway, and DVD and CD releases of Croce's television performances, Have You Heard: Jim Croce Live.

In 1990, Croce was inducted into the Songwriters Hall of Fame.[26]

Croces' son Adrian James (born September 28, 1971) is himself a singer-songwriter, musician, and pianist. He owns and operates his own record label, Seedling Records.[27]

On July 3, 2012, Ingrid Croce published a memoir about her husband entitled I Got a Name: The Jim Croce Story.[28]

In 1985, Ingrid Croce opened Croce's Restaurant & Jazz Bar, a project she and Jim had jokingly discussed a decade earlier, in the historic Gaslamp Quarter in downtown San Diego, which she owned and managed until it closed on December 31, 2013.

In December 2013, she opened Croce's Park West on 5th Avenue in the Bankers Hill neighborhood near Balboa Park. She closed this restaurant in January 2016.[29]


Source: Wikipedia.org


Are You Looking To Start your Own On-Line Business? 
If So Come and Play in Traffic with Me! Earn as You Learn, Grow as You Go!

The Man Inside the Man
from
Sinbad the Sailor Man
A
JMK's Production

 

Share this page, If you liked It Pass it on, If you loved It Follow Me!


TTFN
CYA Later Taters!
Thanks for watching.
Donnie/ Sinbad the Sailor Man

Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority.


P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!

Saturday, February 13, 2016

Tennessee Ernie Ford & The Jordanaires~ "GREAT GOSPEL SONGS"




The Jordanaires were an American vocal quartet, which formed as a gospel group in 1948.
They are known for providing background vocals for Elvis Presley, in live appearances and recordings from 1956 to 1972.
The group has also worked in the recording studio, on stage, and on television with many other country and rock and roll artists.

The Jordanaires
Elvis Presley and the Jordanaires 1957.jpg
The Jordanaires with Elvis, 1957
Background information
Origin Springfield, Missouri, U.S.
Genres Gospel, country, rock & roll, folk
Years active 1948–2013
Associated acts Foggy River Boys, Elvis Presley, Eddy Arnold, Ricky Nelson
Website jordanaires.net

Past members Ray Walker
Curtis Young
Gordon Stoker
Bill Matthews
Bob Hubbard
Warren (Monty) Matthews
Culley Holt
Hoyt Hawkins
Neal Matthews, Jr.
Don Bruce
Hugh Jarrett
Duane West
Louis Nunley

 

Group history

Early years

The history of the Jordanaires can be traced back to the early 1940s, and the original Foggy River Boys, which were made up of the Matthews brothers, all ordained ministers: Bill (b. LaFollette, Tennessee, 1923), Monty (b. Pulaski, Kentucky, 1927), Jack, and Matt.

In 1948, Matt and Jack left to become full-time preachers and were replaced by Bob Hubbard (b. Chaffee, Missouri, 1928), also a minister, and bass singer Culley Holt (b. McAlester, Oklahoma, 1925), and pianist Bob Money.

After three years Money was replaced as pianist by Gordon Stoker. At that time, they formed the new group as the Melodizing Matthews, in Springfield, Missouri, but soon changed the name to the Jordanaires, after Jordan Creek in Missouri.

This starting lineup lasted until 1949; at that time, Bob Hubbard was drafted and was replaced by Hoyt Hawkins. Later that year, Monty and Bill Matthews left.

Hawkins switched to baritone, and new lead Neal Matthews was recruited. Don Bruce came in as a new first tenor; however, he was drafted the next year.

The group narrowed to a quartet, with Stoker taking over as first tenor. They became members of the Grand Ole Opry in 1949.[1][2]

They recorded for Capitol Records in the early 1950s, and began providing vocal accompaniment behind solo singers in Nashville, Tennessee.[2]

The lineup changed again in 1954, with Cully Holt leaving and new bass Hugh Jarrett coming in.

The quartet became well known in the southern gospel realm, and what made them stand out from other quartets of that time was how they would bring spirituals (such as "Dry Bones") to a predominantly white audience.

While continuing to turn out gospel albums of their own, the group become better known for the signature background harmonies they have provided on dozens of secular records.[3]


Jarrett remained until 1958; at that time, he was replaced by Ray Walker.

With Elvis Presley

One Sunday afternoon in 1955, the Jordanaires played a show in Memphis with Eddy Arnold to publicize their new syndicated TV series, Eddy Arnold Time (for the program the group used the name Gordonaires).

They sang "Peace in the Valley", and when the show was over, Elvis Presley, an emerging singer, talked with them and said, "If I ever get a recording contract with a major company, I want you guys to back me up."[4]

He was on Sun Records at that time.

On January 10, 1956, Presley recorded his first session for RCA with guitarist Scotty Moore, bassist Bill Black, and drummer D. J. Fontana. "I Got a Woman", "Heartbreak Hotel", and "Money Honey" were recorded.

Presley asked his new label RCA Victor if the Jordanaires could appear on the recordings.

The next day Gordon Stoker was called by Chet Atkins to do a session with a new young singer named Elvis.

RCA had also just signed the Speer Family. Atkins asked Stoker to sing with Ben and Brock Speer so he could use them.

The recording session for "I'm Counting on You" and "I Was the One" was the first session Presley did with vocal background.

By April 1956, "Heartbreak Hotel" was No. 1.

After having done several more recording sessions in New York with Moore, Black, and Fontana, Presley flew to Nashville on April 14, 1956, to record "I Want You, I Need You, I Love You".

Stoker was called again, to sing a vocal trio with Ben and Brock Speer.

After the session, Presley took Stoker aside and told him (not knowing, at the time, why all the Jordanaires were not there) that he had wanted the Jordanaires.

This time, Stoker saw to it—and Presley used the quartet on nearly every one of his recording sessions for the next 14 years.

The quartet also appeared in some of Presley's movies, and on many of his television appearances.

As Presley was about to start performing at the Hilton in Las Vegas, the Colonel's office called for the Jordanaires to work with Presley in the shows.

They had 35 recording sessions already booked for the dates he needed, so they could not go.

They got in touch with the Imperials, who had done the How Great Thou Art Elvis Presley album with them, and the Imperials took the place of the Jordanaires.

After Elvis

The lineup consisting of Gordon Stoker, first tenor and manager, Neal Matthews, second tenor and lead, Hoyt Hawkins, baritone, and Ray Walker, bass, would be the group's most stable lineup, lasting throughout the 1960s and 1970s.

In January 1978 the group performed a medley of Presley's songs on the NBC TV special Nashville Remembers Elvis on His Birthday.

The group changed again in 1982, when Hoyt Hawkins died. His replacement was Duane West, formerly of Sonny James' backup group, the Southern Gentlemen.

In 1990, the group provided backing vocals for Presley's former Sun Records labelmate Johnny Cash on his Mercury Records album Boom Chicka Boom.

The lineup remained constant for the rest of the decade, with West leaving due to illness in 1999 (he died June 23, 2002). His replacement was Louis Nunley, formerly of the Anita Kerr Singers.

Neal Matthews died April 21, 2000. He was replaced by new lead Curtis Young.

Hugh Jarrett died at 78 on May 31, 2008 from injuries sustained in an auto accident in March.[5]

Gordon Stoker died at 88 at his Brentwood, Tennessee, home on March 27, 2013 after a long illness.

His son Alan confirmed that the Jordanaires were formally dissolved, per his father's wishes.[6]

Ernest Jennings Ford (February 13, 1919 – October 17, 1991), known professionally as Tennessee Ernie Ford, was an American recording artist and television host who enjoyed success in the country and Western, pop and gospel musical genres. 

Noted for his rich bass-baritone voice and down-home humor, he is remembered for his hit recordings of "The Shotgun Boogie" and "Sixteen Tons".



Tennessee Ernie Ford
Tennessee Ernie Ford 1957.JPG
Background information
Birth name Ernest Jennings Ford
Born February 13, 1919
Bristol, Tennessee, United States
Died October 17, 1991 (aged 72)
Reston, Virginia, United States
Genres Country & Western, Pop, Gospel
Occupation(s) Singer, actor
Instruments Vocals, Guitar, violin

 

 

Biography

Early years

Born in Bristol, Tennessee to Maud Long and Clarence Thomas Ford, Ford began his radio career as an announcer at WOPI-AM in Bristol, Tennessee.

In 1939, the young bass-baritone left the station to study classical singing at the Cincinnati Conservatory of Music in Ohio.

First Lieutenant Ford served in the United States Army Air Corps in World War II as the bombardier on a B-29 Superfortress flying missions over Japan.

After the war, Ford worked at radio stations in San Bernardino and Pasadena, California.

In San Bernardino, Ford was hired as a radio announcer.

He was assigned to host an early morning country music disc jockey program titled Bar Nothin' Ranch Time. To differentiate himself, he created the personality of "Tennessee Ernie," a wild, madcap, exaggerated hillbilly.

He became popular in the area and was soon hired away by Pasadena's KXLA radio.

Ford also did musical tours. The Mayfield Brothers of West Texas, including Smokey Mayfield, Thomas Edd Mayfield, and Herbert Mayfield, were among Ford's warmup bands, having played for him in concerts in Amarillo and Lubbock, during the late 1940s.

At KXLA, Ford continued doing the same show and also joined the cast of Cliffie Stone's popular live KXLA country show Dinner Bell Roundup as a vocalist while still doing the early morning broadcast.

Cliffie Stone, a part-time talent scout for Capitol Records, brought him to the attention of the label.

In 1949, while still doing his morning show, he signed a contract with Capitol. He also became a local TV star as the star of Stone's popular Southern California Hometown Jamboree show.

RadiOzark produced 260 15-minute episodes of The Tennessee Ernie Show on transcription disks for national radio syndication.

He released almost 50 country singles through the early 1950s, several of which made the charts.

Many of his early records, including "The Shotgun Boogie", "Blackberry Boogie," and so on were exciting, driving boogie-woogie records featuring accompaniment by the Hometown Jamboree band which included Jimmy Bryant on lead guitar and pioneer pedal steel guitarist Speedy West.

"I'll Never Be Free," a duet pairing Ford with Capitol Records pop singer Kay Starr,[1] became a huge country and pop crossover hit in 1950.

A duet with Ella Mae Morse, False Hearted Girl was a top seller for the Capitol Country and Hillbilly division,[2] and has been evaluated as an early tune.[3]

Ford eventually ended his KXLA morning show and in the early 1950s, moved on from Hometown Jamboree. He took over from band-leader Kay Kyser as host of the TV version of NBC quiz show Kollege of Musical Knowledge when it returned briefly in 1954 after a four-year hiatus.

He became a household name in the U.S. largely as a result of his hilarious portrayal in 1954 of the 'country bumpkin,' "Cousin Ernie" on three episodes of I Love Lucy.

In 1955, Ford recorded "Davy Crockett, King of the Wild Frontier" (which reached number 4 on the country chart) with "Farewell to the Mountains" on side B.

"Sixteen Tons"


Sixteen Tons album cover
Ford scored an unexpected hit on the pop charts in 1955 with his rendering of "Sixteen Tons", a sparsely arranged coal-miner's lament, that Merle Travis first recorded in 1946 reflecting his own family's experience in the mines of Muhlenberg County, Kentucky.

The song's authorship has been claimed by both Travis and George S. Davis.

Its fatalistic tone contrasted vividly with the sugary pop ballads and rock & roll just starting to dominate the charts at the time:

You load sixteen tons, what do you get?
Another day older and deeper in debt.
Saint Peter, don't you call me, 'cause I can't go;
I owe my soul to the company store...[4]
With Ford's snapping fingers[4] and a unique clarinet-driven pop arrangement by Ford's music director, Jack Fascinato, "Sixteen Tons" spent ten weeks at number one on the country charts and seven weeks at number one on the pop charts.

The record sold over four million copies, and was awarded a gold disc.[5]

It made Ford a crossover star, and became his signature song.

Later years


Ford subsequently helmed his own prime-time variety program, The Ford Show, which ran on NBC television from October 4, 1956, to June 29, 1961.

The show was named not after Ernie, but rather, the sponsor – Ford automobiles. Ford Theatre, an anthology series, had run in the same time slot on NBC in the preceding 1955–1956 season.

Ford's program was notable for the inclusion of a religious song at the end of every show; Ford insisted on this despite objections from network officials who feared it might provoke controversy.

This became the most popular segment of his show. He earned the nickname "The Ol' Pea-Picker" due to his catch-phrase, "Bless your pea-pickin' heart!" He began using the term during his disc jockey days on KXLA.

In 1956 he released Hymns, his first gospel music album, which remained on Billboard's Top Album charts for 277 consecutive weeks; his album Great Gospel Songs won a Grammy Award in 1964.

After the NBC show ended, Ford moved his family to Portola Valley in Northern California.

He also owned a cabin near Grandjean, Idaho on the upper South Fork of the Payette River where he would regularly retreat.

A photo of Ford with country singer Hank Thompson and Dallas nightclub owner Jack Ruby appeared in the 1988 book, The Ruby-Oswald Affair, by Alan Adelson.

From 1962 to 1965, Ford hosted a daytime talk/variety show, The Tennessee Ernie Ford Show (later known as Hello, Peapickers) from KGO-TV in San Francisco, broadcast over the ABC television network.

In 1968, Ford narrated the Rankin/Bass Thanksgiving TV special The Mouse on the Mayflower. The mouse narrator seen at the beginning of the special, William the Churchmouse, was a caricature of Ford.

Ford was the spokesman for the Pontiac Furniture Company in Pontiac, Illinois in the 1970s.

He also became the spokesman for Martha White brand flour in 1972.

Ford's experiences as a navigator and bombardier in World War II led to his involvement with the Confederate Air Force (now the Commemorative Air Force), a war plane preservation group in Texas.

He was a featured announcer and celebrity guest at the annual CAF Airshow in Harlingen, Texas, from 1976 to 1988.

He donated a once-top-secret Norden Bombsight to the CAF's B-29 bomber restoration project. In the late 1970s, as a CAF colonel, Ford recorded the organization's theme song "Ballad of the Ghost Squadron."

Over the years, Ford was awarded three stars on the Hollywood Walk of Fame, for radio, records, and television. He was awarded the Presidential Medal of Freedom in 1984, and was inducted into the Country Music Hall of Fame in 1990.

Offstage, both Ford and wife Betty contended with serious alcohol problems; Betty had had the problem since the 1950s.

Though his drinking worsened in the 60s, he worked continuously, seemingly unaffected by his heavy intake of whiskey.

By the 1970s, however, it had begun to take an increasing toll on his health and ability to sing. After Betty's substance abuse-related death in 1989, Ernie's liver problems, diagnosed years earlier, became more apparent, but he refused to reduce his drinking despite repeated doctors' warnings.[citation needed]

In 1990, he was inducted into the Country Music Hall of Fame.

His last interview was taped in September 1991 by his long-time friend Dinah Shore for her TV show. His physical deterioration by then was quite obvious.

Ford received posthumous recognition for his gospel music contributions by adding him to the Gospel Music Association's Gospel Music Hall of Fame in 1994.

Personal life

 


Ernie and Betty Ford at home in 1962.

Ford was married to Betty Heminger from September 18, 1942, until her death on February 26, 1989; they had two children – Jeffrey Buckner “Buck” Ford (born January 6, 1950) and Brion Leonard Ford (born September 3, 1952 in San Gabriel, California – died October 24, 2008 in White House, Tennessee, of lung cancer at age 56).

Less than four months after Betty's death, Ford, who had long suffered from severe alcoholism, married again. On September 28, 1991, he fell into severe liver failure at Dulles Airport, shortly after leaving a state dinner at the White House hosted by then President George H. W. Bush.

Ford died in H. C. A. Reston Hospital Center, in Reston, Virginia, on October 17 – exactly 36 years after "Sixteen Tons" was released, and one day shy of the first anniversary of his induction into the Country Music Hall of Fame.[6]

Ford was interred at Alta Mesa Memorial Park, Palo Alto, California.[7]

His second wife, Beverly Wood Ford (1921–2001), died ten years after Ernie and her body was interred with her husband's.[8]

Source: Wikipedia.org

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